Spring 2024 Schedule

Project 1: Engaging Literacies: Sustainability Literacy Narrative

SCHEDULE

WEEK ONE__________________________________________

Introduction:

Welcome to your section of Academic Writing! My name is Professor Vander Zee. You can read a bit about me here. And free to address me as Prof. VZ if that’s easier. During this first brief week, we will familiarize ourselves with the course website,  get acquainted with the general arc of the course, cover basic policies and expectations, and review the technologies we will be using. You will also have the opportunity to ask questions you might have as we begin the semester.

Wednesday 1/10

  • Read / View
    • Course Website: Read all of the information on the main home page as well as the information under the “Requirements” tab. You are also welcome to explore the important information related to campus resources that will help you succeed in this class and beyond. Everything you will need to know in terms of assignment sheets and schedule is available on the course website. OAKS will be used primarily for informal discussion posts and for uploading rough drafts of your assignments.
    • Sustainability Blog–AKA the “S-Blog”: Our major assignments this semester will be published to the course blog. On this blog, you can find examples of past student work for all major assignments. Work published to the blog will by default be public, though you can opt to change how your name appears and you can also opt to make your post “private.” I will cover these details related to privacy in a tutorial video before we publish our first major assignment. There is no need to worry about that at this early stage.
  • Optional Assignment Due:
    • Please ask any questions you have about the course in the “Course Introduction” thread on OAKS

WEEK TWO__________________________________________

Introduction:

This week is dedicated to important introductory and reflective work: introducing ourselves; getting a broad overview of what “sustainability” means; thinking about writing; and thinking about ourselves as writers.

Tuesday 1/16

  • Read / View:
  • Assignment Due:
    • Discussion Post 1–Due Tuesday 1/16 at Noon. As you learned when reading the course description and watching the intro video, this course is loosely themed around ideas of sustainability, which can relate to both personal and public matters, and which extends from environmental concerns to matters of equity and economics. All of us can relate some aspect of our academic, personal, or community-based interests back to sustainability. This first post is both analytical and reflective.
    • For this post, choose one of the representations of sustainability from the link above. In a post of 300-400 words, first discuss its strengths and/or weaknesses. What does it teach you about what sustainability means? If the graphic has an “argument,” what would it be? Then, at the end of your post, spend some time writing about how your current academic, personal, or community-based interests relate to sustainability. This could relate to how you live your life in a way that is sustainable, how important issues related to your academic or career interests tie back to sustainability, or how the way you engage in your community through service or social-justice activities reflects certain sustainability-based values.
    • This is an important reflection, as you will be able to choose what to write about, analyze, and research in this course. The more fully you can align the work you do in this course with your actual, real-life interests and passions, the more relevant and meaningful it will be.

Friday 1/19

  • Read / View: 
  • Assignment Due: 
    • Discussion Post 2–Reading Like A Writer, due by noon on Friday 1/19. In a post of 300-400 words, share some of the ways that you applied the most helpful tips and tools in Bunn’s essay to some aspect of Guidi’s essayIn your post, be sure to do the following:
      • Use a dynamic title (e.g. not just “discussion post 1)
      • Cite quoted evidence from both Bunn and Guidi as you read Guidi’s article “like a writer,” paying attention matters of style and organization and audience and tone that you might otherwise just gloss over. Feel free to focus on what you felt was successful or less successful.
      • Conclude by reflecting on where you think you are in your own “writerly” approach to composition. What are your strengths as a writer? What do you feel less confident about? How do you hope to improve over the course of the semester?

WEEK THREE_____________________________________

Introduction

This week we will introduce the idea of literacy as a guiding concept. We often think about literacy as the ability to read. But literacy can be viewed more broadly as encompassing our knowledge about, and ability to act within, any given situation. Literacy relates not just to our ability to navigate, say, English, but also to how we navigate the any “languages” we engage with every day–the kind of language we speak among friends, among family, and in professional setting. Beyond literal speaking and writing, financial literacy extends to complex matters from budgeting and estate planning. Emotional literacy speaks to our deepest abilities to connect authentically with others–to understand the language of emotion. Various literacies are what allows us to successfully navigate life. But how do we become literate in all of these ways? What kinds of people and institutions have both inspired and at times thwarted our attempts to gain literacy (again, broadly considered) at key moments in our lives? And what might it mean to develop a kind of “sustainability literacy”?

Tuesday 1/23

  • Read / View:
    • Deborah Brandt, “Sponsors of Literacy” (available in OAKS) under the “Readings” module.
    • Jamila Lyiscott, “3 Ways to Speak English
  • Assignment Due: 
    • Discussion Post 3: Warning–this is a five-part prompt! Feel free to number your responses or just use a fresh paragraph for each of the five questions.
      • First: In your own words, take 2-3 sentences to describe what you think Brandt’s article is about.
      • Second: How would you describe the author’s research methodology? That is, what method did she use to study this topic and help her arrive at her conclusions?
      • Third: The article focuses on various constraints and tactics related to our ability to gain and wield various literacies: differential access to literacies (stratification); pace-of-change as new literacies replace old literacies (competition); and tactics of re-appropriation where we use tools gained in one context and apply them to another. These reflect the main sections of the article. Choose one of these sections that appealed to you most and take 4-5 sentences to describe the main point of the section, including how the central illustration (the human example offered) relates to the main point. Then, take another 2-3 sentences to come up with your own illustration taken from your own observations of the world.
      • Fourth: This is an academic article composed for an academic audience. Approaching this work as a non-specialist requires that we do our best to identify and translate jargon-heavy phrases and sentences to unpack their meaning. Select a particularly confusing idea or sentence, share it with the class, and do you best to unpack it.
      • Fifth: In addition to Brandt’s article, you also watched Lyiscott’s TED talk on code-switching. Please apply some key concepts from Brandt’s article to Lysicott’s talk.

Friday 1/26

  • Read / View:
    • Andres Edwards, excerpts from The Heart of Sustainability (2015). Available in OAKS in the “Readings” module.
    • Writing an Effective Summary
  • Assignment Due: 
    • Discussion Post 4–Due Friday 1/26 at Noon. Using the tips learned from looking through the linked resource on Writing an Effective Summary, compose a ~500-word summary of, and response to, the excerpts from Edwards’s book. The bulk of your post should be focused on summary, and you should do your best to cover the major points in each chapter.  There are many organizational possibilities for your blog post, but whatever you do, please make sure to use paragraphs to help structure your summary. And please focus on developing meaningful transitions between different parts of your summary rather than simply writing phrases such as “in the next chapter.” Finally, make sure you dedicate at least 1 paragraph in the conclusion for your own detailed critical or constructive response. 

WEEK FOUR_____________________________________

This week, we will begin work on our first major assignment–the Sustainability Literacy Narrative. We will familiarize ourselves with the assignment and analyze examples from past 110 students using the feedback rubric. By the end of the week, we will have submitted our rough drafts in preparation for next week’s one-on-one conferences and peer review assignments. Make sure you thoroughly read the assignment sheet and email me with any questions that you might have.

Tuesday 1/30

  • Read / View:
  • Assignment Due:
    • Sign-up for SLN one-on-one conferences next week
    • Discussion Post 5–Due Tuesday 1/30 at Noon: This is a two-part post.
      • First, select one of the sample Sustainability Literacy Narratives and take 200-300 words to use 3 criteria from the Sustainability Literacy Narrative Feedback Tool to analyze the essay. You can focus on the essay’s strengths or weaknesses, but always be constructive in your criticism. Please be clear about the criteria you are applying, and quote from the essay you selected, providing evidence for your reflections along the way.
      • Second, reflect on some possibilities for your own narrative. Use the following thoughts and questions to to help brainstorm as you compose this part of your reflection.
        • What area of sustainability seems more relevant to your life story? These can relate to what Edwards would describe as the external landscape of sustainability–things like business, issues of equality and access, education, social justice issues, community service areas you’ve engaged in, environmental advocacy and awareness, experience with matters of equity and access. They can also related to the internal landscape of sustainability–things like creativity, consciousness, compassion, and connectedness. Often times, the extern landscape relates in important ways to these more internal elements–for example, the connection between education and consciousness, or compassion and service.
        • When you think about how you became to develop a certain knowledge or awareness of a certain area of sustainability–that is, when you became “literate” in that area–what helped you or hindered you in attaining that literacy? What helps or hinders can be individuals or groups, but also institutions like schools or political systems or churches or places of work.
        • Make sure you focus on something that you can tell a detailed story about–something that gives you, as the main “character” of your story, something to do that reflects the core values you hope the essay reveals.

Friday 2/2

  • Assignment Due:
    • Sustainability Literacy Narrative (SLN) Draft: Due Friday 2/2 @ noon. Please compose your draft in Google Docs and use the “Share” button to create a link that gives editing access to me (vanderzeeal@cofc.edu) and commenting access to anyone with a link. Then, start a new thread under the SLN Peer Review and Feedback forum. Introduce your paper and provide a link to it. Please also describe three areas or aspects of your paper–related to the SLN feedback rubric–that you feel you could use feedback on.

WEEK FIVE______________________________________

Introduction: 

Congratulations on submitting the draft of your first major assignment! This week, you will offer feedback for one of your peers and receive some feedback in response. You will also meet with me individually (virtually or in person) to discuss your drafts. By the end of the week, you will submit your final SLN drafts to the course blog, just like our SLN samples that we read, focusing on composing as dynamically as possible for an external audience and incorporating images and links to achieve clear and compelling document design. The linked blogging instructions will help get you started and we can also go over some basics in our one-on-one conferences.

Once we make it through this week, we will have a clear sense of the process we will follow for each major major project: first, we engage with key background material for each assignment; then we explore examples of past student work in relation to the evaluation rubric; then we go through a process of drafting, review, and revision. Each project introduces a set of key concepts and skills that we will continue to build upon. The goal is to make things as clear and predictable as possible!

Tuesday 2/6:

  • Read / View:
  • Assignment Due: 
    • Discussion Post 6–Due Tuesday 2/6 @ Noon. After you submit your rough drafts on Friday 2/2, I will assign you a peer review partner. Please read their thread introducing their papers and identifying areas for potential feedback. Please leave comments on the google doc and also compose a reply to their thread that addresses the prompt under the relevant Topic in OAKS (where you submitted your draft). The things you write about in your response should relate to comments you make in the Google Doc.  Your feedback should be substantial–aim for around 500 words. You can’t cover everything in this space, but you can cover a substantial amount.

*** Final SLN project published to the blog by Sunday 2/11 at Midnight ***

Project 2: Sustainability in Professional and Community Contexts: Rhetorical Situation Analysis

WEEK SIX_________________________________

Introduction: 

We have now entered the second major project: the Rhetorical Situation Analysis (RSA). You all likely had some familiarity with the kind of narrative we wrote for our first project–the college admission essay is a key example of this genre. Many of you will also be familiar with the kind of analytical work required in the second project; you might even have worked with some of the key terms related to the rhetorical situation such as exigence, audience, and constrain, as well as the specific rhetorical appeals that work within that situation–things like emotion, logic, and character.

The key difference between what you might have done in high school and what I’m asking you to do here relates to how you engage these rhetorical aspects of the text. In high school, it was probably okay to just identify aspects of the broader rhetorical situation and the underlying appeals. In this class, you are being asked to develop an engaging, focused argument about how a given artifact (article, speach, advertisement, website, public space, etc.) succeeds or fails in how it mobilizes key rhetorical and sustainability-based appeals in the context of the broader rhetorical situation.

In other words, you’re not just describing the rhetorical situation and identifying the relevant appelase; you’re analyzing how they related to one another in ways that might work well at times, and might work less well at times. There’s no right or wrong answer here–it’s all about the argument you choose to make and how you make it!

In this project, we will begin by learning about the key terms and playing around with them on a shared artifact. Then, you will select your own artifact for analysis. As with the first project, we will practice together, review some past student examples, and then we will go through a process of drafting, peer review, and one-on-one conferences in relation to your own unique analysis of an artifact you choose for yourself.

Tuesday 2/13 

  • Read / View:
  • Assignment Due:
    • Discussion Post 7: Rhetorical Inventory–Due Tuesday 2/13 at Noon. When analyzing any given artifact, it helps to begin by capturing the “big picture” and noting all aspects of the rhetorical situation and all relevant rhetorical and sustainability-based appeals. The result of this “big picture” approach is what I call a rhetorical inventory that offers a comprehensive overview of any given artifact. Only then can we begin to focus more narrowly on the most interesting ways certain rhetorical and sustainability-based appeals function in the context of the rhetorical situation. For this discussion post plead do the following:
      • Carefully review the intro material and the Nike advertisement linked under “Read / View” above.
      • Cut-and-past the “Rhetorical Inventory” worksheet from that reading into you discussion post.
      • Fill in the worksheet as completely as you can, noting “Not applicable” if there are some rhetorical appeals that are note relevant to the advertisement.
      • Write a brief paragraph indicating the more focused argument you would like to offer about the success or failure of this Nike ad–that is, how well do the rhetorical and sustainability-based appeals match up with the broader rhetorical situation? Does it succeed? Fail? A little of both? You don’t have to write a full analysis of the add–just do some brainstorming about what you might argue if you did write a complete analysis (think of this as a rough thesis statement).
      • Finally, read the linked article from Slate Magazine, which is a professional, published version of a rhetorical analysis. Do you agree or disagree with the author’s argument? What do you like about it?

Friday 2/ 16

  • Re-Read / View:
  • Assignment Due:
    • Discussion Post 8: Rhetorical Inventory–Due Friday 2/16 at Noon. Earlier in the week, we warmed up by engaging a shared artifact as a class–that famous Nike ad. For this discussion post, please select an artifact that you might choose for this project and practice the kinds of analysis we performed in our last class.
      • First, introduce your artifact and link to it if that’s possible. Again, your artifact can be anything: a speech, a policy, an advertisement, magazine article, a physical space, a work of art, an Instagram apology video.
      • Second, identify the following by replicating this bulleted list in your discussion post just as we did with the previous discussion post.
        • The Rhetorical Situation
          • Context
          • Exigence (exigencies)
          • Audience(s)
          • Constraints
          • Genre
          • Purpose
        • The Details 1: Rhetorical Appeals
          • Character-based appeals
          • Emotional appeals
          • Logical appeals (including possible unstated premises)
        • The Details 2: Sustainability-Based Appeals
          • Economy-based considerations
          • Social Equity-based
          • Environment-based considerations
          • Education
          • Creativity
          • Consciousness
          • Compassion
          • Connection
      • Finally, after building your inventory, offer a concluding paragraph in which you discuss the possible argumentative “story” you might choose to draw out from this inventory. Remember, the story you are telling relates to the success or failure (or somewhere in between) of the given argument.Also remember: the best arguments focus most intently on the rhetorical and sustainability-based appeals that have the most interesting, telling, or problematic relationship to their broader rhetorical situation. It’s all about how the details fit into the bigger picture. 

WEEK SEVEN________________________________

Introduction: 

Just as we did with our first major project, I am giving you some time and space to read some examples of student work and to explore the grading and feedback tool we will be using for this project.

Tuesday 2/20

  • Read / View:
  • Assignment Due:
    • Discussion Post 9: Sample Analysis–Due Tuesday 2/23 at Noon. After reading the handout related to RSA Strategies and Structures as well as the RSA Feedback tool, skim through the RSA samples and choose one that you would like to explore in more detail. In a post of 300-400 words please evaluate the chosen essay in relation to each of the criteria noted on the RSA Feedback tool, noting specific evidence in support of your ratings in each area of the feedback tool. This is important preparation, as the grading rubric for this activity is identical to the RSA Feedback Tool.

Friday 2/23

  • Assignment Due
    • Sign Up for One-on-One Conferences held next week
    • Rhetorical Situation Analysis (RSA) Draft: Due Friday 2/23 @ noon. Please compose your draft in Google Docs and use the “Share” button to create a link that gives editing access to me (vanderzeeal@cofc.edu) and commenting access to anyone with a link. Then, start a new thread under the RSA Peer Review and Feedback forum. Introduce your paper and provide a link to it. Please also describe two areas or aspects of your paper–related to the RSA feedback rubric–that you feel you could use feedback on.

WEEK EIGHT________________________________

Introduction: 

This week is dedicated to peer review and our second round of required one-on-one conferences. We will refresh ourselves on some key readings related to writing and feedback, and we will spend some time exercising and sharpening our editorial intelligence as we respond to the work of our peers. This is a key point: peer review is as much for you as it is for your partner.

Tuesday 2/27

  • Re-Read / View:
  • Assignment Due: 
    • Discussion Post 10–Due Tuesday 2/27 @ Noon. After you submit your rough drafts on Friday 2/23, I will assign you a peer review partner. Please read their thread introducing their papers and identifying areas for potential feedback. Please leave comments on the google doc and also compose a reply to their thread that addresses the prompt under the relevant Topic in OAKS (where you submitted your draft). The things you write about in your response should relate to comments you make in the Google Doc.  Your feedback should be substantial–aim for around 500 words. You can’t cover everything in this space, but you can cover a substantial amount.
    • Attend one-on-one conference.

*** Final RSA project published to the blog by Sunday 3/3 at midnight ***

WEEK NINE_________________________________

Spring Break!

Project 3: Exploring the Disciplines: Disciplinary and Interdisciplinary Academic Conversations

WEEK TEN_________________________________

Introduction: 

This week, we transition to our next major assignment: Engaging Academic Conversations. Magazines and newspapers frequently feature articles that “translate” emerging academic work on timely and relevant topics for a broader public audience. Essentially, they take the research that academic professors and researchers pursue related to a focused research topic–new cancer treatments, the ethics of harvesting organs from animals, how social media affects teenagers, mental health crisis in schools, AI ethics and applications, and endless other topics–and bring it to a broader audience. This is all to say that what you’re doing here is an essential, frequently practiced form of writing. This is also an assignment that allows you to explore an academic conversation that matters to you–one related to your academic, professional, or community-based engagement interests. We will begin this week by introducing the major assignment as well as an important preliminary one–the Research Progress Report–as we learn more about how to conduct library research at CofC.

Tuesday 3/12

  • Read / View:
  • Assignment Due: 
    • Discussion Post 11–Due Tuesday 3/12 @ Noon. In this new unit, you will explore a research area of our own choosing. The final product will be a dynamic, long-form blog post in which you orchestrate a conversation among at least three timely peer-reviewed sources. As a first steps, though, you will reflect on possible topics and begin conducting preliminary research. I recommend using this paper to explore a research question in your current or potential academic area of focus or potential career. You are also welcome to research important social issues that are important to you. For this discussion post, you will write about three potential topics. For each topic, please follow this template:
      • Name the broad topic that your idea falls under. Think things like “Health Disparities,” “Psychology,” “Mental Health,” “Gender Issues,” “Engineering Innovation,” “Medicine,” “Environmental Justice.”
      • Why are you interested in this topic? How does it relate to your potential major, or professional interests, or community-engagement interests?
      • Try to develop a more focused research question that your eventual paper will answer. There are hundreds of research questions that might work for any given topic. If your broad topic is “mental health,” for example, you might focus a bit and decide that you’re interested in exploring current research on the mental health of colleges students. Then, you have to try to frame that as a specific question. For example: “How does social media affect college student mental health”; or “What are some best practices for dealing with the college mental health crisis.”
      • Repeat this process three times with three different broad topics. Sometimes our first thought is not our best thought, so it is important to work through a few options.

Friday 3/15

  • Independent Research:
    • Use library research tools to begin locating and documenting your sources. Note that research is a productive aspect of research. You will often change your research question as you research in response to the things your finding and learning. Keep things flexible at this stage and follow your passions and interests! Note that there is a major preliminary assignment–the Research Progress Report–due next Tuesday at noon.

WEEK ELEVEN___________________________________

Tuesday 3/19 

  • Assignment Due:
    • Sign up for one-on-one conferences to review and discuss your research progress.
    • Discussion Post 12–Due Tuesday 3/19 @ Noon. In the discussion post, please offer a quick 3-4 sentence introduction to what you researched and provide a Google Doc link to your complete Research Progress Report.

Friday 3/22

  • No discussion post due today–just attend your one-on-one conference this week.

WEEK TWELVE____________________________________

Tuesday 3/26

  • Read / View
  • Assignment Due:
    • Discussion Post 13–Due Wednesday 3/27 @ Noon. After reading the handout related to EAC Strategies and Structures as well as the EAC Feedback tool and additional EAC Tips, skim through the EAC samples and choose one that you would like to explore in more detail. In a post of 300-400 words please accomplish the following:
      • Describe the intro strategies. That is, how does the author seek to both inform and engage the audience.
      • Identify (by quoting) the complete conversational thesis and comment on its strengths. Does it offer an adequate mirror and map for the paper that follows?
      • Identify one successful quote integration and comment on what makes it effective.
      • Identify one successful transition between sources identify what makes it effective.

Friday 3/29

  • Assignment Due:
    • Discussion Post 14–Due Friday 3/29 @ Noon: Journal Article Summary & Review, approximately 500 words. For this assignment, you will select a peer-reviewed article that you intend to include in your EAC and offer a concise overview of it. Be sure to introduce your author and their field or area of specialty (establish their ethos), offer a big-picture overview of the article, set up and integrate a well-chosen quote, and attend to important details as well (key findings, methodology, how the results were determined).

WEEK THIRTEEN____________________________________

Tuesday 4/2

  • Activities:
    • During this week, you will be working on the complete rough draft of your EAC. Please keep all the essential tips in mind as you work.

Friday 4/5

  • Assignment Due: 
    • Sign up for EAC conferences for next week.
    • EAC Draft Due Friday 4/5 at Noon. Please compose your complete EAC draft in Google Docs and use the “Share” button to create a link that gives editing access to me (vanderzeeal@cofc.edu) and commenting access to anyone with a link. Then, start a new thread under the EAC Peer Review and Feedback forum. Introduce your paper and provide a link to it. Please also describe two areas or aspects of your paper–related to the EAC feedback rubric–that you would like feedback on.

WEEK FOURTEEN____________________________________

Attend EAC Conferences This Week–Sign Up Here

Tuesday 4/9

  • Read / View:
  • Assignment Due
    • Discussion Post 15–Due Tuesday 4/9 @ Noon: After you submit your rough draft on Friday 4/5, I will assign you a peer review partner. Please read their thread introducing their papers and identifying areas for potential feedback. Please leave comments on the google doc and also compose a reply to their thread that addresses the prompt under the relevant Topic in OAKS (where you submitted your draft). The things you write about in your response should relate to comments you make in the Google Doc.  Your feedback should be substantial–aim for around 400 words.
    • Attend conferences later in the week. We will also discuss ideas for the final Genre Remediation project.

*** DUE: EAC Finals due on the blog on Sunday 4/14 by midnight ***

Project 4: Engaging New Audiences: Genre Remix

WEEK FIFTEEN_________________________________

Tuesday 4/16

Friday 4/19

  • Assignments Due: 
    • Discussion Posts 17: Genre Proposal Posts–Due Friday 4/19 @ Noon. In a post of 400-500 words, please present a “genre pitch.” You can view this as a preliminary draft of the reflective and analytical essay that will accompany your remediation project. In your post, please accomplish the following.
      • First describe the materials you’re working with as it relates to your DIAC, RSA or some other project. That is, what are you remixing?
      • Second, identify the genre in which you plan to compose and the audience for your remediation; make sure the exigence and audiences for your remediation are clear.
      • Third, identify relevant constraints, including those related to the broader historical or cultural context and audience, that you anticipate. You might also address constraints that you will face (technical skills, additional research required, etc.).
      • Fourth, in addition to your specific genre pitch, provide a brief genre overview that notes the “moves” and “steps” that the genre, as you see it, encourages authors to make. If you plan to tweak the genre in any way, please indicate both how and why you might do that.

WEEK SIXTEEN____________________________________

Tuesday 4/24–Remix Drafts Due

 

FINALS WEEK_____________________________________

Tuesday 4/30–Remix Finals Due

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