“This is theatre rather unlike anything you might have seen…unusual, unconventional and eye-opening…Everyman is no barrel of laughs, being a morality play about death. Everybody tells the same tale, with equal emotional heft; but it is not only provocative and involving, it is also funny. Wildly funny, in fact.” —Huffington Post. 

“…[a] very meta and saucy adaptation…” —Time Out NY. 

“[Everybody] fills the heart in a new and unexpected way.” —The New Yorker.

Finalist for the 2018 Pulitzer Prize and inspired by Everyman, a 15th Century, anonymous morality play, Everybody is a topsy-turvy, madcap examination of the human condition. Penned by Branden Jacobs-Jenkins, the play has a wry sense of 21st century metatheatricality and dry humor mixed with “actor’s nightmare” styled mishaps and crossed communications. While this play brings the emotional heft of Everyman, it is wildly funny and provocative, asking us to examine and question why we make the choices we make and how to best live life in our modern world.

The production is presented by CofC Stages in the College of Charleston’s Department of Theatre and Dance and directed by new instructor Gary Dewitt Marshall. With professional experience in directing as well as acting in television, the silver screen, and Broadway, Marshall now applies his knowledge and skills in an academic setting.

CofC Stages will produce the performance outdoors in the College’s lush Stern Center Garden. Department chair Janine McCabe shares, “It’s been nearly 20 years since our department has presented a main-season play outdoors, and this will be our first production mounted at the picturesque Stern Center Garden. We are excited to broaden our student and audience experience with this actor-driven ensemble piece outside on our beautiful campus. The students are doing exceptional work, and I am thrilled to introduce the talents of our new faculty member Gary Dewitt Marshall to the campus and Charleston community through his direction of this production.”

Movement and character work are supported by Director of Dance Gretchen McLaine and Director of Theatre Vivian Appler. Theatre students – including majors and non-majors – make up the cast and crew. Guest artist Caleb Garner leads a collaborative team of design students on scenery, costume, lighting and sound design including Eddie Frye, Master of Arts in Teaching (Performing Arts) student Jessica Shamble, and Chris Warzynski.

DETAILS: Performances of Everybody will take place at Stern Center Garden (71 George St.) on Thursday, March 17 and Friday, March 18 at 7:30 p.m.; Saturday, March 19 at 2:00 p.m. and 7:30 p.m.; and Sunday, March 20 at 5:00 p.m. 

Please be advised that this performance is occurring outdoors and a majority of the seating is on the steps of the garden patio. Patrons are encouraged to bring lawn chairs or blankets if they so desire. A small amount of chairs will be available for patrons that require them.

RAIN LOCATION: In the event of inclement weather, performances of Everybody will be held in the Chapel Theatre (172 Calhoun Street).

CofC Stages is excited that Everybody will be its first full-length play that incorporates live American Sign Language (ASL) interpreters. The ASL-interpreted performance will be the 2:00 matinee on March 19th.

Individual tickets are $20 adults; $15 seniors (60+), military, and youth under 18; $12 CofC students, faculty, and staff. Purchase tickets ONLINE or through the George Street Box Office: gsbo@cofc.edu or (843) 953-4726.

THE DEPARTMENT OF THEATRE AND DANCE PRESENTS
IN COLLABORATION WITH THE DEPARTMENT OF MUSIC
AND THE CHARLESTON SYMPHONY

The Magic Flute by Wolfgang Amadeus Mozart

Director: Evan Parry
Conductor/Music Director: Yuriy Bekker
Music Directors: Saundra DeAthos-Meers, Wojciech Milewski
Assistant Conductor:  Wojciech Milewski
Scenic Designer: Carrie Ferrelli
Costume Designer: Janine McCabe
Lighting Designer: Lauren Duffie
Sound Designer: Evie Palmisano
Choreographer: Kristin Alexander
Assistant Choreographer: Claire Natiez
Technical Director: JD Stallings
Costume Shop Manager: Ellen Swick
Stage Manager: Brittanee Clark
Rehearsal Pianist: Lorna Barker

CAST LISTING (in order of vocal appearance)

Brian Mengler | Tamino (2/25), Ensemble (2/27)
Seth Younglove | Tamino (2/27), Ensemble (2/25)
Abigail Erin Oldstrom | First Lady
Meleana Cabales | Second Lady
Charity Jones | Third Lady
Andy Michota | Papageno
Lauren Funkhouser | Queen of The Night
Sebastian Cabrera | Third Priest/Second Henchman
Madison Berry | First Henchman
Jonathan Gragg | Monostatos
Sara Fullford | Pamina (2/27), Ensemble (2/25)
Hälis Rünk | Pamina (2/25), Ensemble (2/27)
Molly O’Connor | First Spirit
Chloe Henderson | Second Spirit
Katie Matsui | Third Spirit
Justin Floyd | Speaker of the Temple/First Priest
Joshua Brock | Second Priest/First Armored Man
Logan Smith | Sarastro
Jessica Shamble | Papagena
Jimmy Cyganek | Second Armored Man
Mary Reynolds | Ensemble
Madison Robertson | Dancer
Lucy Dantz | Dancer
Halle White | Dancer
Charlotte Ulhmann | Dancer
Whitney Green | Dancer

Special thanks to our Guardian-level donors, whose commitment and personal connection to their “Clarence” students enhance the overall student experience and the Department of Theatre and Dance as a whole. 

Brandon Alston…………………..Nancy and Sam Stafford

Taylor Bennett……………..Chester and Arlene Williams

Glenna Durbin………………………Tap and Jean Johnson

Savannah Fatigante………………………………Anonymous

Joey Kirkman……………………Eveylynn and Bill Putnam

Claire Natiez…………….Mindy Seltzer and Bob Lovinger

Sidney Shanahan…….Drs. Louis and Andrea Weinstein

Maddy Smith……………………..Karl and Charlene Bunch

Add your name to our list of generous arts supporters by making a contribution today. Support theatre, dance, opera, orchestra, or another area of the arts of your choosing.

Cast and Design Team Biographies:

SPECIAL GUEST Yuriy Bekker, critically-acclaimed violinist and conductor, has been a mainstay of the Charleston Symphony Orchestra (CSO) in Charleston, SC for 15 years. He is incoming CSO Artistic Director for the 2022-23 season, has led as Concertmaster since 2007 and was named Principal Pops Conductor in 2016. Bekker is an adjunct faculty member of the College of Charleston School of the Arts as a violin professor and has been conductor of the College of Charleston Orchestra since 2011. He has been Music Director of the Piccolo Spoleto Festival’s Spotlight Chamber Music Series and is co-founder of the Charleston Chamber Music Intensive. During the summer, he also serves on faculty of the Gingold Chamber Music Festival in Miami, FL. Bekker has performed worldwide as a celebrated guest concertmaster, avid chamber musician, guest conductor and violin soloist.

Madison Berry (1st Henchmen/Priest Chorus) is a sophomore majoring in Theatre (Performance and Scenic Design). This is her first mainstage show at the College, as well as her first opera. 

Joshua Brock (First Armoured Man/Second Priest, Tamino Understudy) is a senior majoring in Music (Vocal Performance). He has been performing with the College since freshman year and has been studying opera for seven years. He has performed as Il Conte in Le Nozze Di Figaro and Betto in Gianni Schicchi.

Meleana Cabales (Second Lady) is a sophomore majoring in Music (Voice) and minoring in Arts Management. She has recently been seen in College of Charleston Opera’s Back to the New Normal scenes program and in the chorus of Le Nozze di Figaro. She also appeared in Charleston Opera Theater’s Serenata Italiana last fall.

Sebastian Cabrera (1st Henchman and 3rd Priest) is majoring in Biology (Medicine) and minoring in Mathematics. His most recent performance was in an adaptation of Where are you going, where have you been? as Arnold Friend. He’s also taken part in various musicals such as Cabaret and Hello! My baby. 

Brittanee Clark (Stage Manager) is a guest artist from Florida and is delighted to be back in Charleston. A few of her favorite previous productions include The Brain That Wouldn’t Die (Charleston Music Hall), 110 Stories (Impact Creative Arts), One Shoe Off (South of Broadway), and the world premier of Love and Southern Discomfort (Charleston Music Hall). 

Jimmy Cyganek (2nd Armored Man/Chorus) is a freshman in the Honors College double majoring in Music (Vocal Performance) and Computing in the Arts (Music). Recent performances include – CofC Concert Choir’s Candlelight Christmas concert, College of Charleston Opera’s scenes performance, Charleston Opera Theater’s Serenata Italiana, and regular performances in the choir at Charleston’s French Huguenot Church.

Lucy Dantz (Dancer) is a sophomore majoring in Arts Management with a minor in Dance. She has performed in two CofC Stages mainstage dance productions. She was most recently seen in the fall dance concert, Once More.

Justin Floyd (Speaker/First Priest) is a junior majoring in Music. He has been in the last few College of Charleston Opera productions, including Gianni Schicchi and The Marriage of Figaro, as well as the Covid-canceled CofC Stages production, The Addams Family.

Sara Fullford (Pamina) is a senior majoring in Music (Vocal Performance) and minoring in Political Science. She has participated in three College of Charleston Operas, including Gianni Schicchi (Nella) and Le Nozze di Figaro (Barbarina, Susanna understudy).

Lauren Funkhouser (Queen of the Night) is a freshman majoring in Music (Vocal Performance). Funkhouser has rolestudied Tatyana in Eugene Onegin with Russian Opera Workshop (2021), attended the Washington National Opera Institute (2020), and attended Interlochen Arts Camp (2019). This summer Lauren will be a studio artist at Music Academy of the West, as well as performing the role of Papagena at Berlin Opera Academy  and understudying the Queen of the Night. 

Jonathan Gragg (Monostatos) is a sophomore majoring in Music (Vocal Performance). He has been in various productions before, and this is his first full stage opera performance. 

​​Whitney Green (Dancer) is a sophomore majoring in Arts Management and Marketing and minoring in Dance. Whitney has performed in 19 musicals with the Talent Machine Company and served as the Choreographer for Willy Wonka, Beauty and the Beast, and Unbeatable: A Musical Theatre Showcase; and the Assistant Choreographer for 42nd Street and Lion King Jr. 

Chloe Henderson (Second Spirit) is a sophomore Music (Vocal Performance) major. Chloe has recently made appearances in the Back to the New Normal Opera scenes program and was included in the ensemble of Charleston Opera Theater’s Serenata Italiana this past fall. 

Charity Jones (Third lady) is a senior Music (Vocal Performance) major. Previous performances include College of Charleston Opera’s Dialogues des Carmélites and CofC Children’s Opera Jack and the Beanstalk. Currently, Charity is part of the CofC Children’s Opera show, The Billy Goats Gruff. 

Max Marshall (Assistant Scenic Design) is a junior majoring in Theatre (Scenic Design & Technology. This is his first mainstage production. Max was previously cast in the COVID-canceled CofC Stages production of The Addams Family. He is also an assistant scenic designer for CofC Stages’ upcoming Cabaret show and lead scenic designer for CofC Stages’ production of Violet (fall 2022).

Katie Matsui (Third Spirit) is a sophomore majoring in Music (Vocal Performance). In high school, Katie performed in various concerts at the Governor’s School for the Arts in Greenville.  Last year she participated in the CofC Children’s Opera The Three Little Pigs and was in the chorus of College of Charleston Opera production, Le Nozze di Figaro.

Brian Mengler (Tamino) is a Post-Baccalaureate Artist in Residency at the College of Charleston. His prior College of Charleston Opera performances include Gianni Schicchi (Rinuccio) and Le Nozze di Figaro (Basilio). 

Andy Michota (Papageno) has been singing with College of Charleston Opera for four years, including a recent performance in Le Nozze di Figaro (Bartolo). He’s also been involved in three CofC Children’s Opera tours. 

Molly O’Connor (First Spirit) is majoring in Music (Voice). This is her first College of Charleston Opera performance. Prior experience includes the role of Wendy in FAME Performing Arts’ production of Peter Pan. 

Abigail Erin Oldstrom (First Lady) is a senior majoring in Music (Vocal Performance). Abigail last performed as Susanna in College of Charleston Opera’s 2021 Le Nozze di Figaro. Later this year she will portray Zerlina in Charleston Opera Theater’s production of Don Giovanni.

Mary Reynolds (Chorus Member) is a freshman majoring in Music (Vocal Performance). She attended Berkeley Center for the Arts in Goose Creek, S.C. and has a vast choral history. She most recently performed in the College of Charleston Opera fall showcase. 

Madison Robertson (Dancer) is a junior majoring in Dance with a Theatre minor. This will be her second College of Charleston show. Her first performance was in CofC Stages’ Legacy in 2019.

Ethan Robey (Assistant Scenic Design) is a junior majoring in Theatre (Scenic and Lighting Design). This is his first time assisting on a production at the College. 

​​Hälis Rünk (Pamina)  is a Post-Baccalaureate Artist in Residency at the College of Charleston. She began her vocal studies in her home country Estonia and received her undergraduate degree in vocal performance in The Royal Conservatoire of Scotland. 

Jessica Shamble (Papagena) is a first year graduate student in the MAT performing arts education program. She last appeared in College of Charleston Opera’s Le Nozze di Figaro (Cherubino) and appeared in CofC Stages performances of Urinetown (Hope Cladwell), and Into The Woods (Rapunzel). 

Logan Smith (Sarastro) is a junior majoring in Music (Vocal Performance). His first performance with the College of Charleston Opera was in Gianni Schicchi (Buoso Donati), in Spring 2020.

Charlotte Uhlmann (Dancer) is a junior majoring in Psychology and minoring in Dance. She last appeared in CofC Stages’ Once More dance concert, last fall. 

Halle White (Dancer) is a freshman majoring in Dance (Performance/Choreography). This is her second show with CofC Stages, and she was last seen in last fall’s Once More dance concert.

Seth Younglove (Tamino) is a senior double-majoring in Music (Vocal Performance) and Theatre (Performance). Previous performances include CofC Stages musical Urinetown (Cladwell), along with College of Charleston Opera productions Gianni Schicchi (Marco) and Le nozze di Figaro (Don Curzio).

SPECIAL THANKS: Charlie Smith, Charleston Opera Theater, Max Meers, Molly Rumph, The Sottile Theatre staff

LAND ACKNOWLEDGEMENT:

We recognize that the Sottile Theatre and the College of Charleston rests on the Historic Territory of the Kusso, Edisto, Kiawah, and Ashepoo. It is the present and historic home of the Gullah community, who are the descendents of West Africans who were enslaved by European settlers and brought to this country against their will. Charleston and the surrounding region remains a part of tribal land of the Natchez-Kusso. We acknowledge that we are temporary inhabitants of this place. We are here as guests.

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Add your name to our list of generous arts supporters by making a contribution today. Support theatre, dance, opera, orchestra, or another area of the arts of your choosing.

A timeless fairytale of darkness, light, and finding one’s way in the world, Mozart’s Die Zauberflöte (The Magic Flute) opera explores the search for truth and reason, love and enlightenment. The production is a collaboration among the College of Charleston’s Department of Music and Department of Theatre and Dance, as well as the Charleston Symphony. The performance will be sung in German with English dialogue and supertitles.

Directed by Theatre Associate Professor Evan Parry, the production is recommended for all ages. Parry describes the opera: “Through comedy and romance, the blend of the human and the supernatural brings the audience into a journey of trials and tribulations on the path toward a deeper understanding of true love and happiness.”

DETAILS: Video-on-demand performances of Die Zauberflöte (The Magic Flute) will be available for purchase March 5-12, 2022. Tickets can be purchased through the George Street Box Office online beginning March 5th, 2022.

College of Charleston Director of Opera, Sandy DeAthos-Meers, shares, “This collaboration among Charleston’s arts powerhouses showcases a variety of talent for audiences while providing a unique, professional experience for our students. Janine McCabe, Artistic Director of CofC Stages, supported the vision and decided to include the College’s first large-scale opera production, The Magic Flute, as part of the Department of Theatre and Dance (CofC Stages) 2021-22 season. Veteran actor and theatre faculty member, Evan Parry, directs this resplendent production featuring students, faculty and staff from our opera, theatre and dance programs, while the Charleston Symphony skillfully realizes Mozart’s remarkable score under the leadership of talented Charleston-favorite, Yuriy Bekker.”

A mix of College of Charleston opera, theatre and dance students make up the cast, from freshmen to seniors alike. Designers include theatre faculty members alongside current and former students: costume design by Associate Professor Janine McCabe; scenic design by alumnus Carrie Ferrelli; lighting design by faculty member Lauren Duffie; and choreography by dance faculty member Kristin Alexander and student Claire Natiez.

A Sudden Spontaneous Event is a hilarious and heartbreaking look at what happens when the life you thought you had is over in an instant. Carole White’s life is just the way she likes it. Until, that is, she wakes confused and in a strange place after suffering a stroke. This bittersweet comedy explores loss, forgiveness and reconciliation as Carole and her son’s fraught relationship drives the action of the play.

Presented by the College of Charleston’s Department of Theatre and Dance, the production is directed by alumnus, adjunct lecturer and noted actor Paul Rolfes.

The play is staged in honor of its playwright, David Lee Nelson, a beloved theatre alumnus (2000), who passed away from colon cancer in September 2020. An accomplished actor, playwright, comedian and winner of the 2013 College of Charleston School of the Arts Young Alumnus Award, Nelson is remembered for his tremendous impact on the theatre community in addition to his writing, teaching, humor and overall inspirational nature. His written works include solo shows The Elephant in my Closet, Status Update, Silence of Lucky, and Stages in addition to plays Folly Beach, Mary & Joseph at The Hampton Inn, Free to a Good Home, and A Sudden Spontaneous Event.

Department Chair Janine McCabe reminisces, “Not only was David an alumnus and colleague but also a close friend to so many of us at the College. He touched countless lives through his many theatrical talents, and his memory lives on through his written works, which explore highly emotional topics while masterfully interspersing humor and human connection.”

McCabe adds, “Having been part of the world premiere of A Sudden Spontaneous Event produced by PURE Theatre (2015-16 season), I’m proud to bring this piece to the College’s stage and share it once again with the Charleston community. We want to honor David with this production and also by creating an award in his name to recognize students who embody his inspirational spirit.”

Playing the role of Carole is emerita theatre faculty member and originator of the role, Joy Vandervort-Cobb. Theatre students comprise the rest of the cast. Designers include students Mattie Davis (costume design) and Julia Mimó (scenic design), along with department staff member Miles Boinest (sound design) and alumna Claire Ahlin (lighting design).

DETAILS: Performances of A Sudden Spontaneous Event will take place at the Sottile Theatre (44 George St.) on November 19 and 20 at 7:30 p.m. and November 21 at 2:00 p.m. Admission is $20 adults; $15 seniors (60+), military/veterans, and youth under 18; $12 CofC students, faculty and staff. Tickets can be purchased through the George Street Box Office online, by emailing gsbo@cofc.edu, calling (843) 953-4726 or in person. (Patrons can find information and tickets at go.cofc.edu/cofcstages.) 

The College’s 2021-2022 theatre and dance season brings important conversations to the forefront and challenges audiences to think about their choices, relationships, and what it means to be part of a community while navigating how to live your best life. The diverse production season offers plays, dance, musical theatre, and opera — featuring guest artists, new faculty and invited collaborators. Production details and ticket info are listed at go.cofc.edu/cofcstages.

CofC Stages will present Once More, a fresh look at a collection of dances choreographed and restaged by faculty, students and guest artists. Choreographers were invited to revisit personal and historical works — an opportunity to rediscover joy and meaning within these pieces — and share them with new audiences. Both meaningful and poignant, this eclectic concert offers a captivating evening of dance for everyone. Once More is directed by Assistant Professor of Dance Kristin Alexander.

Gretchen McLaine, director of the College’s dance program, is doing a Labanotation reconstruction of Linda Crist’s threebythree. Set to sections of “Etudes Tableaus” by Rachmaninoff, the ballet showcases dynamic footwork and rhythmic sensitivity. The reconstruction was facilitated by the Dance Notation Bureau and is performed with the permission of Crist’s estate.

Alexander is revisiting her piece Opposite Infinities from the department’s fall 2020 concert. Inspired by the poem “Moment” by Eugene Platt, she had originally created the piece as a dance film. Revisiting the work has allowed further investigation of the movement vocabulary and the addition of physical connection, which was prohibited last year.

“Pipeline is an emotionally harrowing, ethically ambiguous drama that raises questions about class, race, parental duty, and the state of American education.” –Variety

Exploring the struggles of educational equity and institutionalized segregation, “Pipeline” by 2018 MacArthur Genius Grant Fellow Dominique Morisseau (“The Detroit Project,” “Skeleton Crew,” co-producer on Showtime’s “Shameless”) will open the 2021-2022 performance season for the College of Charleston’s Department of Theatre and Dance.

With profound compassion and lyricism, “Pipeline” brings an urgent conversation powerfully to the fore; a deeply moving story of a mother’s fight to give her son a future — without turning her back on the community that made him who he is.

The plot centers on an inner-city public high school teacher who is committed to her students but desperate to give her only son, Omari, opportunities they’ll never have.

When a controversial incident at his upstate private school threatens to get Omari expelled, Nya must confront his rage and her own choices as a parent.

The play is directed by alumnus and noted actor, writer and director, Michael Smallwood and is recommended for ages 14+.

Smallwood shares, “As an actor, director, educator and Black man in America, I find “Pipeline” to be one of the most poignant and engaging plays written in the last five years. The questions it raises about parenting, education, institutional racism, and self-actualization are incredibly important to both the students working on the show and the audiences who will get a chance to see it. It’s my great honor to return to the College of Charleston, where I was educated, to guide these exceptionally talented students through Dominique Morisseau’s masterpiece.”

The production is supported by the College’s Center for Sustainable Development (CSD), whose 2021-2022 theme “sustainable cities and communities” correlates to the story and takeaways of “Pipeline.” The CSD aims to equip students with the knowledge and skills to solve future challenges of social justice, economic disparity and looming environmental concerns. CofC Stages is committed to exploring these critical sustainability challenges – “triple bottom line” (social, environmental, economic systems) – this season and every season.

Theatre students comprise the cast and crew, and the show’s designers include students Savannah Fatigante (Costume Design) and Ellie Ford (Scenic Concept), and guest designer Caleb Garner (Sound Design).

DETAILS: In-person performances at the Chapel Theatre (172 Calhoun St.) are on Sept. 24-27 and Sept. 30-Oct. 2. Curtain time is at 7:30 p.m., with the exception of Sunday, Sept. 26 at 2:00pm only. Discounted season ticket packages are available for all seven CofC Stages productions. Individual tickets are $20 adults; $15 seniors (60+), military, and youth under 18; $12 CofC students, faculty, and staff. Purchase season packages or individual tickets online at go.cofc.edu/gsbo or contact the George Street Box Office by emailing gsbo@cofc.edu or calling (843) 953-4726.

College of Charleston COVID safety guidelines currently require face masks, social distancing, and limited capacity of 75 guests in Chapel Theatre. Guidelines and performances are subject to change.

The College’s 2021-2022 theatre and dance season brings important conversations to the forefront and challenges audiences to think about their choices, relationships, and what it means to be part of a community while navigating how to live your best life. The diverse production season offers plays, dance, musical theatre, and opera — featuring guest artists, new faculty and invited collaborators. Production details and season-pass/ticket info are listed at go.cofc.edu/cofcstages.

The inaugural College of Charleston School of the Arts Festival: Arts under the Oaks will offer an entertaining day of arts experiences for Lowcountry audiences. Featuring performances by the College’s Department of Music alongside the Department of Theatre and Dance, the event will take place on April 10 and 11 from 10:00 a.m.- 6:00 p.m. at the College of Charleston Stono Preserve, 5297 Dixie Plantation Rd., Meggett, S.C. A livestream option will be available, as well.

Arts under the Oaks will feature mainstage performances and sideshow pop-up events throughout the day. Mainstage shows will be safely interactive with the audience, including:

Unbeatable: A Musical Theatre Showcase – The pandemic isn’t keeping these “unbeatable” musicians from creating and performing! Directed by theatre faculty member Laura Turner, the show will carry the “unbeatable” theme with three main groups of songs that play on beats or rhythms: “Can’t Stop the Beat,” “We Got the Beat” and “I Got Rhythm.” This performance of classic and contemporary musical theatre songs mixes in audience participation, a little dance, and some stories to lift spirits and remind guests of a time before masks.

Finding Place: A Dance Concert –  Comprised of original dances choreographed by students, this concert investigates self, particularly in times of isolation and constant change. How do we stay grounded and what has become “our place”? When is it safe for our close circle to expand? Where do we go next? Directed by dance professor Kristin Alexander, Finding Place exemplifies resilience of self and others through contemporary dance work.

Le Nozze di Figaro: College of Charleston Opera – This famed opera by Mozart is a wondrous, intricate comedy of disguises, lost tokens of love and mistaken identity. Under the leadership of the College’s Director of Opera Saundra DeAthos-Meers, Orchestra Director Yuriy Bekker, and Associate Professor of Theatre Evan Parry, Le Nozze di Figaro is deftly performed social distance-style by outstanding voice students, with stunning choreography by Gretchen McLaine and Pamela O’Briant, alongside professional and student orchestral musicians. The show has over-the-top dramatic story elements often found in modern-day comedies on the screen: a marriage contract between a man and someone who turns out to be his mother, a master trying to enjoy physical passion with his wife’s maidservant (a lusty boy who dresses as a woman to stay close to the woman he loves), and a pin which clasps a “love letter” that ends up in the wrong hands. Supertitles will help guests follow along the hilarious storyline.

Interspersed on the majestic grounds throughout the day will be sideshow events including skilled fight choreography, sonnet recitations, Three Little Pigs: Children’s Opera based on the music of Mozart, and costumed students entertaining guests. Visitors can also tour the historic grounds of the idyllic Stono Preserve, while learning about the 881-acre property along the Stono River and the Intercoastal Waterway, and explore its history and changing landscape. The property is historically and archaeologically meaningful, and holds tremendous potential for better understanding a diverse range of topics in South Carolina Lowcountry history.

SCHEDULE*:
10am – Gates Open
11am to 12:30pm – Unbeatable: A Musical Theatre Showcase
1pm to 2pm  – Finding Place: A Dance Concert 
3pm to 6pm – Le Nozze di Figaro: College of Charleston Opera 

*Sideshows interspersed throughout the day: Sonnet Recitations, Fight Choreography Demos, Three Little Pigs Children’s Opera, and Tours of Stono Preserve

Tickets will be offered for in-person attendance with full and half-day options A livestream video option will be available for the full day.

In-Person general admission: $50 for all-day and $25 for half-day (morning or afternoon options)

In-Person College of Charleston faculty/staff/students: $20 for all-day and $10 for half-day

Tickets will go on sale on March 15. Tickets will not be sold at the gate.

Buy tickets for IN-

PERSON FESTIVAL AT STONO PRESERVE

Questions: Contact the George Street Box Office at gsbo@cofc.edu or (843) 953-4726.

Mainstage events will be livestreamed and may show glimpses of the sideshow events:

Livestream general admission: $20 for all-day

Livestream CofC faculty/staff/students: $10 all-day

Buy tickets for LIVESTREAM

NOTES for IN-PERSON ATTENDANCE:

Capacity at Stono Preserve is limited, and face coverings along with a distance of six feet must be maintained at all times between participants.

To make the day outdoors more comfortable, bring items such as sunscreen, hand wipes, bug spray, chairs or blankets, and clothing for variable spring temperatures. Guests may bring food and water supplies (no alcohol permitted) as there will be no food or beverage concessions available.

Portable restrooms will be on site. Attendees should be aware of the rugged, natural landscape at Stono Preserve as they will be fully immersed in the rustic outdoors (long pants and comfortable, closed-toe shoes are suggested, note the presence of natural wildlife). Navigation for most wheelchairs may be difficult due to the terrain.

During the scenic drive on site, be aware of rough, uneven roads. Admission/parking process at the gate may take a few minutes as guests are safely admitted. At that time, half-day guests will receive wristbands to delineate morning or afternoon attendance. Stono Preserve is located at 5297 Dixie Plantation Road, Meggett, SC, 29449-5896.

In acknowledgment of the history of labor and traditional tribal residency of the land at Stono Preserve, the College of Charleston’s Lowcountry Digital History Initiative has coordinated an online exhibition titled “The Stono Preserve’s Changing Landscape.”

Stage combat, pop music, and witty banter make for a must-see livestream!

The College of Charleston’s Department of Theatre and Dance will stage Living Dead in Denmark by Vietnamese-American playwright, television writer, and screenwriter Qui Nguyen. Known for his innovative use of pop-culture, stage violence, puppetry, and multimedia (as seen is the College’s 2014 production of Nguyen’s She Kills Monsters), the innovative playwright combines some of these elements into this action-adventure/horror sequel to William Shakespeare’s Hamlet. The undead have risen to power and are trying to take over the world, led by the zombie lord and true king of Denmark. Fortinbras, assembling a formidable opposition, has resurrected the corpses of some of the greatest women that Shakespeare had to offer: Lady Macbeth, Juliet, and the very angry Ophelia. A clash of the undead titans ensues!

The Living Dead in Denmark livestream will take place at 7:30 p.m. on Friday, March 12 and Saturday, March 13, 2021. The production contains material recommended for mature audiences. Admission prices are $25 (groups of 3 or more), $15 (adults), $12 (seniors, military and 18 & under), $8 (College of Charleston faculty, staff and students). Tickets can be purchased online at showtix4u.com/events/cofcstages. Captioning will be available for both performances, and cast/crew talkbacks will follow each show, with an American Sign Language interpreter at the March 13 talkback. For more information, email cofcstages@cofc.edu or call (843) 953-6306.

Living Dead in Denmark premiered in 2006 at Vampire Cowboys Theatre (NYC), which was cofounded by Nguyen and is the first professional theatre organization officially sponsored by NY Comic Con. The New York Innovative Theatre Awards honored the play with Best Choreography/Movement and nominated it for Best Production of a Play, Best Original Score, Best Costume Design, and Best Sound Design.

As Producing Artistic Director of Trustus Theatre, guest director Chad Henderson brings his extensive knowledge and experience to the College’s academic and artistic stage. He has assembled a talented design team of College of Charleston theatre students Mary Hope Ballou (set design) and Erin Cooper (costume design), faculty member Jason Lyons (lighting design) and professional sound designer Caleb Garner. Dance major Julia Kabernagel is choreographer and faculty member Evan Parry is fight choreographer. Theatre major Victoria Leatherman is stage manager.

A native of Spartanburg, S.C., Henderson began working at Trustus Theatre in 2007 as Marketing Director. He directed professionally for eight years before being named Trustus Theatre’s third Artistic Director in 2015 and appointed the Producing Artistic Director in 2020. Henderson was honored by the S.C. Theatre Association with the 2019 Founders Award in recognition for his contributions to the state’s theatre community. The Charleston community and visiting theatergoers may have seen Henderson’s direction of PURE Theatre’s Fun Home production that appeared in its 2018 season and during Piccolo Spoleto.

Check out the article  Living Dead in Denmark Pits Zombies Against Lady Macbeth, Ophelia and Juliet in the Charleston City Paper

To view the Playbill, click here.

CHARLESTON, S.C. — On February 12 and 13 at 7:30pm, the Department of Theatre and Dance  will present Last Train to Nibroc, penned in the late 1990s by American playwright Arlene Hutton. This audio-only radio play is produced in partnership between CofC Stages and Center Stage, a student-run theatre group at the College.

Co-directed by adjunct faculty member Paul Rolfes and theatre student Holden Crumpler, Last Train to Nibroc is the first story in the Nibroc Trilogy — following the lives of a young couple in 1940s wartime and into the 1950s, throughout the trilogy. Holden describes the play as “a love story with humble beginnings and plenty of twists and turns.”

In December 1940, strangers May and Raleigh find themselves on the same train as the great American writers Nathanael West and F. Scott Fitzgerald. During the journey, the young travelers from seemingly different backgrounds and experiences, tease and fight with each other, yet realize they may have more in common than they expected. Touching on and connecting the characters’ aspirations, personal failures, and love, Hutton kicks off the Nibroc Trilogy with this funny, touching portrait of two people searching for happiness. 

Theatre students Zoe Sauder and Mason Monti play the roles of May and Raleigh, respectively, in the College’s production. 

“I think the heart of the play is about resilience and courage….that through many of life’s obstacles these two young people continue to find their way back to one another,” remarks Rolfes, a College of Charleston theatre alumnus and core ensemble member of PURE Theatre.

This simply staged romance played to critical acclaim at the Edinburgh Festival Fringe and Off-Broadway, and also earned glowing reviews from Washington Post, The New York Times, and BackStage, among other notable publications.

The live audio performances of Last Train to Nibroc will take place on Feb. 12-13, 2021 at 7:30 p.m. Admission is free and the show will be presented as an audio-only radio play.

To listen Friday, February 12th at 7:30pm click HERE

After Friday’s show, please join us for a post-show talkback.  Please click here for access.

To listen Saturday, February 13th at 7:30pm click HERE

For a link to the Playbill, please click HERE.

For more information on this and forthcoming spring productions visit theatre.cofc.edu, email cofcstages@gmail.com or call (843) 953-6306.