Delighted by the Present

Part I

Oh God, Not This Again.

This afternoon I am extremely hungover, hunched backed, scraping my stiff, overflowing, hamper across the kitchen into the laundry room/pantry/shoe dump/ cat bathroom. The early afternoon light is screaming through the closed blinds. I’m fluctuating between searing head pains and nausea and Ella is still asleep. Opening the washing machine, (making sure to check for cats before I dump, of course) my fingers are tangled under the pressure of this really heavy hamper. I think to myself, didn’t I just do this.

God, it never ends.


Doing the laundry is typically a task for my girlfriend, Ella. But since she is sleepy, warm, and mushy in our bed, I remember that the key to a happy relationship is doing the chores. So, I rolled out of bed, banging and knocking into various furniture with this godforsaken hamper, hangover hunched, and headed towards the laundry room. Since reading the Book of Delights, I have really been trying to get into the whole spirit of embracing mundane tasks, but holy God, I hate doing laundry hungover.

Somewhere between the moments of dumping the clothes in the machine resentfully, and balancing the hamper on my knee while reaching for a Tide Pod, I was flung into the realization that a full week had passed. It’s funny how doing the laundry is my marker that seven days, each day different with its own story, have been violently torn from an imaginary book in my mind and I’m watching the pages fly away in the wind as I try to grab for them. Anyway, here I am, cranking these knobs to “regular cycle,” annoyed that I have to choose between “normal” and “regular” cycle (because it seems like there would be absolutely no difference, right?).

Part II Billy Collins “The Present”

My name is Brooke DiMarzio and since I’ve gotten to college, I’ve struggled with living in the present. There are so many times throughout the day when I catch myself thinking about how I should be spending my time. Am I enjoying these years to the fullest? Have I missed out on opportunities because I didn’t join a sorority? Should I be living with my girlfriend in college? Should I see my family more? Why do I have three cats at 21 years old?

I suffer from obsessive compulsive comparing my life to other people’s disorder. I hate how these thoughts sometimes torment the beautiful reality I live. I think it’s fairly common though– to believe the grass is greener on the other side.

In a world where we are microscopically viewing the lives of others through pictures and videos, how could you not?

[music: “patterns” by Z-bone]


“The Present” by Billy Collins

"Much has been said about being in the present.
It’s the place to be, according to the gurus, 
like the latest club on the downtown scene,
but no one, it seems, is able to give you directions.

It doesn’t seem desirable or even possible
to wake up every morning and begin
leaping from one second into the next 
until you fall exhausted back into bed.

Plus, there’d be no past
with so many scenes to savor and regret,
and no future, the place you will die
but not before flying around with a jet pack.

The trouble with the present is 
that its always in a state of vanishing.
Take the second it takes to end 
this sentence with a period—already gone.

What about the moment that exists
between banging your thumb
with a hammer and realizing 
you are in a whole lot of pain? 

What about the one that occurs after you hear the punch line 
but before you get the joke? 
Is that where the wise men want us to live

in that intervening tick, the tiny slot 
that occurs after you have spent hours 
searching downtown for that new club
and just before you give up and head back home?"

Billy Collins

[music: “My Little Brown Book” John Coltrane and Duke Ellington]

Cozy in bed at 9:40 on a Sunday night, lying next to my partner, Ella, this poem literally made me laugh out loud. The first time I read this poem at 14 years old, it went right over my head. Billy Collins was a little too sophisticated for me as a sophomore in high school.

After needing to find a poem to string together some sort of response to this assignment, I fished through my bookshelf and caught Billy Collins’ The Rain in Portugal.

What a delight it was to connect with this work again, seven years later and just a few months away from a degree in English.

In “The Present,” Collins grapples with the idea of living in the moment. In many ways, he challenges the way living in the present is pushed upon us. It seems like Collins wants us to, from time to time, exist in the past and future—live in our memories and fantasies.

I thought it was really clever– the way he freezes us in that moment of time where we experience moments before the uninhibited forces of life. I love how he has these two contrasting physiological responses to demonstrate the present—physical pain and physical laughter. It’s great how he barely uses imagery, but the jarring feeling of hitting your finger with a hammer causes you to flinch while reading.

I get a sense that Collins is struggling with the feeling that life is happening to him. As someone who sometimes feels like I have no real control over my life, I caught onto these suggestions throughout the poem.

Is the speaker of this poem suggesting that life just happens to us, before we can even process what is actually happening?

I think that there is something so humorous about this poem that makes me feel recognized in many ways. Maybe it’s the idea that we do not always have control over the moments that make up our lives and sometimes life just happens to us.

Delight.

  1. Daylist

To be honest with you, I’ve spent a lot of time in the last two days crying. That sounds so silly when I write it out like that, but it’s true. This last week has been anything but easy. Having this assignment in the back of my head since Monday, I have tried so desperately to think of delights. They are, after all, happening around me all the time. As much as I have wanted to see them, it seems that every day, they illude me.

In my time thinking about the delights of my life, I found myself researching “What is a delight?” and reading several articles on Ross Gay’s definition of it (from his book, The Book of Delights). In one article by Sage Van Wing, where he presents the transcript of an interview between Ross Gay and Dave Miller. In this, Gay explains what “delight” means to him, how it typically forms in each day of his life, and how writing this book made him realize that delight grows when it is shared. He states:

This answer of his really seemed to stick out to me. I had thought over and over of the things in the last couple of days that have given me delight, been a delight, but the only real things I thought of were just the ways I have attempted to help other people. And I am not truly sure that, in the very specific definition of a delight, those count.

The other night, on a day when my tears had finally run out, my friend called me crying. And so, of course, without a second thought, I got into my car and drove to her. As the night progressed, we just talked, and I mostly listened to everything she had to say. And when I think back on that, on times when my role in my friendships is to listen, I love it more than anything. And, truly, a delight of mine is to hold space.

To me, holding space for someone is allowing them to be exactly as they are. But not in a way like, “Oh, I am not judging,” it’s a physical thing. The world around us is made of energy, right? I have energy, and everyone else has it too. And so, while in my energy field, I imagine space for this person – for her, while we talk. And although it really only happens in my head, it seems to work, and I can see evidence of it in the physical. I truly believe that when she is in my presence, she feels safe enough to be exactly as she is at that moment. And when it comes to delight, my ability to do this for the people, the people that I love so deeply in my life, is, in fact, a delight.

To be the person she calls when she is crying, to be the person she feels comfortable snot sobbing in front of, to be the person she can tell the truth to is such a delight of mine that all the time I had spent in the last couple of days crying (myself) was worth feeling and releasing so that I would have the capacity to hold that space for her when she needed it.

I sat down yesterday to write about this in more detail, but I just couldn’t get the words out. I began to wonder if that really was a delight at all. And maybe it isn’t- not in the true sense of the word, anyway.

And so here I am, again, thinking about delight. While blowing out my hair and rolling up its pieces in rollers, it hit me. Music. Every single day I have woken up this week, I have been oddly excited to find out what my “daylist” on Spotify is. From my understanding, a “daylist” is a playlist made by Spotify based on your listening history at certain times each day. They come up with a theme that represents it, and they create a playlist that includes songs you already enjoy and songs that they recommend based off of your listening history. I am not sure if I explained that well at all, but you get the point (or maybe you don’t, and I am sorry).

As someone who absolutely adores listening to new music and has a serious appreciation for ambient vibes, this playlist has been such an exciting experience. I not only find new music so easily but the vibe of that time of day is already set for me (which I love). Although this week has been a tough one, hopping on my Spotify to find out what new playlist they have curated for me has definitely been a daily delight.

2. Another Delight

My name is Madison McMahon, and for a while now, I have been thinking a lot about the word “delight.” Not only have I spent a significant amount of time reading and discussing Ross Gay’s The Book of Delights, which is linked above, but I have been attempting to figure out what exactly it means. Obviously, it means one thing to Gay, and it shows up in my life very differently from his, but it got me thinking about what delight meant for other people.

DELIGHT” – Lawrence Kearney (1978):

As I was looking for poems that I could potentially connect to The Book of Delights and the meaning of delight, I came across this work. And upon my first time reading it, it felt as if all the air in the room had been sucked up and swallowed.

To me, reading this poem felt very similar to jumping from a ledge. The walk up, the looking over, the leap, and the sharpness of the fall. This poem feels like a heavy weight but also the pinching of the air that surrounds you on your way down, whistling in your ears and ripping the air out of your lungs.

It got me thinking about a whole new world of “delight.” One where the delight is not something beautiful or good but something like a failure. That maybe delight is not only found in those pretty special moments in life, but in the “evasions” and “losses” that we all experience daily. And then the “fall” of the poem, “And occasionally, / something larger…anything / you think you can’t get back.”

And then, as I thought about it more, perhaps delight is always beautiful, but just not in the way we assume it to be. In moments of deep loss, there are strange tingles of delight, of beauty. Like the beautiful human reaction to blame other people or to wish grief had hands. Or the realization that you hold the power to push and direct your life in any direction you desire. Or the simple act of crying and having someone stand there and cry with you.

I’m Rooting For You

One of the best compliments I’ve ever heard is “I’m rooting for you.” I was playing a game of Bananagrams at Felix (the best words come out after your second French 75) when our server came by, saw my board, and spoke those four lovely words toward me. 

Not only is the word choice interesting–to root? I’m growing roots for you? It’s far more casual than “I believe in you” and far less affectionate. When I looked up the origin of the phrase (idiom?), I found it is from the British word “rout” meaning to bellow, usually related to cattle. So, how we got from cattle yelling to encouragement, I don’t know.

But if we really think about it, the idea of rooting for someone is so beautiful. To be their support, their physical roots something grounding them while they grow or go out on a limb. Rooting for someone means supporting them with no gain of their own, simply basking in someone else’s joy or achievements. 

I didn’t need someone to root for me at that moment (it was a very low-stakes game), but it was nice to know that someone was on my side. In that moment he was actively thinking about me and wanting me to win. There are people in our lives who root for us daily with no gain besides our happiness. Yet, this wonderful stranger who happened to enjoy my friend and my game of buzzed Bananagrams was rooting for me. 

My name is Lilly Flowers and a few days ago I got to pick out a random literary magazine from a pile of them in my professor’s office. Our class focuses on copy editing and the publishing industry, and much of the conversation centers around the kind of jobs one can get with editing experience. I chose the “‘Arts & Letters” spring 2023 edition of the Journal of Contemporary Culture published by Georgia College. To be honest, I mostly picked it out because of the pretty cover (see the bottom of the post), but inside I found some wonderful works of poetry and prose. Some of them are not as bright and cheery as the cover, however.

Iowa City, Iowa by Jesse Lee Kercheval

Smoke, horizon, cornfield, windbreak, road, an implicit plot all disconnected as of by jigsaw blade, amputated pine boughs, gouged sky, fissures of horizon. Only when I write, staring for hours, do the bits begin to fit. I sense a compression in my spine. I match some pieces but others, red as marrow, won’t fit unless I force them. I tire. As always. I lift my eyes to window. Sky and bare limbs like saw cuts. A cloud like a torn blouse. I can’t assemble this.

(transition music)

I could feel the frustration so viscerally the first time I read this poem. The choppy lists of images painting the vast unchanging physical land around them show the monotony of having to always be creating, thinking of something, imagining. Jesse Lee connects the physical land with her mind; the landscape is in pieces and so is she. She’s trying to make something, but all her ideas aren’t fully formed, “amputated pine boughs…fissures of horizon…bare limbs like saw cuts.” These words are sharp like our own thoughts when we can’t write. So much of our worth is bound up in what we can create when you cannot measure your worth by that.

Although the poem is named “Iowa City, Iowa,” Iowa could be anywhere for the reader. The place they’re stuck: a hometown, a city they’ve outgrown, or a state of mind. Iowa is someplace where, after being there, nothing seems to fit. “Disconnected as of by jigsaw blade” it’s as if we’re confused and unsettled about our physical, or mental, surroundings. We no longer fit into that space therefore it cannot support us.

The spine is an interesting body part to focus on in this piece. It connects the entire body and when the spine is damaged it’s devastating. The “compression” Jesse Lee feels is the brink of what is coming. She’s on the edge of devastation and complete burnout if she doesn’t take care of herself. Forcing yourself to make something and “staring for hours” are not ways to motivate yourself.

By the end of the poem, it feels like Jesse Lee has given up. She cannot assemble this. It’s a definitive statement. But I don’t think that we should see this as a failure. Jesse Lee hints at the idea of a break, as in taking a break. For such a short piece, she is communicating a lot through her imagery connected to the physical body. The internal and external are working together to scream at you “Take a break! You cannot create under these conditions!” Your body needs a break, your mind needs a rest, and maybe you need a change of scenery.

The little things.

For as long as I can remember, I have deeply cared about the little things. I was always overly sensitive to those around me, overly in tune with people’s emotions, and spent my time constantly observing everything and everyone closely.

Still, to this day, I find myself in the same position. It means a lot to me to pay attention, to notice, to watch, and to feel. And although this was characteristic of me during my early childhood, throughout my teenage years, I so desperately wanted to get away from that part of me.

Through those years, it felt like I paid too much attention, noticed too much, and felt too deeply every second of it. I always felt like no one else saw all the little things I did, nor did they care about them like me. And in the mix of my awkward teenage angst and constant emotional turmoil, I found poetry.

This newfound world of reading and writing was a world where I felt, for the first time, completely understood. All of a sudden, I was surrounded by other people who noticed, watched, and felt the same way I did. At the same depth that I did. And as I was introduced to this new world, I found myself writing poetry every single day.

For me, it felt like the only place I could truly be honest about everything happening in my life. I wrote poems about my familial issues, my relationships with friends at school, overwhelming thoughts of my existence and my place in the world, the great burden of my feelings and how much I cared, and about all the little things around me that everyone else seemed to take for granted but I didn’t.

This fundamental aspect of poetry is what Patrick Rosal mentions in the New York Times article we read for class, “Poetry is Hospitable to Strangeness and Surprise.” He describes poetry as encompassing “observation and attention, reflection and memory, description, imagination, re-seeing and discovery.” All of these are what drew me into poetry. 

In middle school was the first time that poetry was taught in my English class. My teacher, Mr. Eleftheriadis, introduced me to Homer and Shakespeare, and it was that class that changed everything.

Not only did I fall in love with literature, poetry, and epics, but I fell in love with the details in every story. A part of his class I enjoyed the most was picking apart works line by line. As a middle schooler, my little brain was not nearly prepared for the sheer wisdom and magic that are laced between every line of the Odyssey and Macbeth, just to name a few.

In his class, I felt that I truly belonged. In every English class since then, I have always felt that way. The peers in them, the teachers and professors, and most of all, the literature have always been so inspiring and remain reminders that when it comes to noticing and feeling, I am not alone.

Since then and throughout my college career, I have been learning each and every day to return back to that little girl version of myself. I have been realizing that I want to notice, I want to watch closely, and I want to feel every second of it. I take pride in noticing the small things, paying attention, and caring immensely about the details.

As I have gotten older, I have learned that these are actually great strengths of mine, and the places where I can cultivate and grow them are in my English classes and in my photography classes. In both art mediums, I have found that my particular gift of noticing and feeling can be used to create narratives and stories, cultivate emotion through images, and learn how to intersect the two.

In an article that discusses the value and significance of poetry as a free space for language and politics, “Why All Poems Are Political” by Kathleen Ossip, she says so many things about poetry that I found incredibly intriguing, inspiring, and thought-provoking. One of the questions she asks in this article is:

“Is it possible that poetry wants to awaken your awareness of the essential and infinitely subtle suffering and joy of being alive?”

I found this question incredibly reflective of what poetry does to us. And I think it is true that poetry is about awakening, awakening to the world around us, taking note of all the things people fail to notice, and feeling all the emotions swirling about in the world. Poetry is about awakening to a world full of people who see and feel at the same depth that you do. Poetry is about a community of people who care; it is about no longer feeling alone.

“If It’s Not STEM, You’re Wasting Your Time” Debunked

Like many other individuals, my journey toward committing to the study of literature was contested by most of my family. My father and his family have always held the belief that unless you’re majoring in STEM during undergraduate studies, you’re wasting your time. This is not uncommon among South Asian households, and while I was never very close to my father or that side of my family, this belief was heavily ingrained in me during childhood.

My mother and her family were mostly indifferent. However, many of them, including my mother, dedicated their lives to the medical field. I subsequently believed that a nursing career would best suit me both financially and emotionally, but after briefly treading down this path I realized I was putting forth the effort solely seeking validation and support from my family. When I graduated high school I was unsure of what I wanted to study in college, so instead I decided to join the United States Air Force, during which I was a C-130J Loadmaster. This aircrew job provided me an environment rich with freedom as a young adult to explore what was most important to me.

an early USAF photo of myself, 2017

During childhood, I grew up in a chaotic household where having the quiet and comfortability to read literature was generally impossible. But in my down time while I was serving, I began to collect novels and immerse myself in them. It became clear that literature had a special place in my heart, and that I just didn’t quite have the necessary conditions in childhood to explore this passion fully. After honorably separating, I had many conversations with my partner about what discipline I would pursue in college. I once again grappled with the notion that nursing would be best, but after trial and error I finally settled on taking classes focused on literature, creative writing, history, and cultural and film studies.

During my first academic year of taking these classes, I experienced an identity crisis. I knew these disciplines made me feel alive and excited me in ways I hadn’t been before, but I couldn’t help feeling that perhaps my father was right: I’m wasting my time. A quote from Jasmine Guillory’s article titled ‘Reading Anti-Racist Nonfiction Is a Start. But Don’t Underestimate the Power of Black Fiction’ really resonates with me when I think back on this period in my life, which was only a year ago: 

“I’ve read so many books about people who are nothing like me—often by necessity, since I can think of only one book I was assigned to read in my entire K-12 education that was about a Black girl or woman—and I’ve learned something from many of them. As characters confront events and situations we’ve never experienced, fiction helps us imagine how we would deal with them.”

Aside from being half South Asian, and knowing all too well how it feels for individuals like me to be underrepresented in literature studies in the classroom, this quote makes me think about why literature is a passion of mine and why my pursuit of it as a discipline is integral to my emotional and mental well-being.

Part of my experience in childhood of growing up in a mostly chaotic household was being stripped of social development with my peers. My mother, a single parent, uprooted our lives by moving nearly every single year. I eventually, at some point, grew exhausted at making friends in a new city because I knew our stay there would be short lived. I became distant from my peers, keeping to myself as a coping mechanism, and this largely impacted my ability to relate to those around me and form close connections.

Literature, however, has helped me glean information that I largely missed out on in childhood. Reading about The Great Perhaps in John Green’s ‘Looking for Alaska,’ for example, gave me insight on the nuances of being a teenager and interacting with one’s peers. Literature gives me a chance to put myself into experiences I missed out on, or like in Gabrielle Zevin’s ‘Tomorrow, and Tomorrow, and Tomorrow,’ ones I will not experience at any point in my life.

My study of literature has drastically developed my ability to feel empathy for others and has shaped how I approach many relationships as a young adult, especially with those journeying through life at differing ages and in differing paths than myself. Guillory’s words remind me of why I chose to study literature when coming to college, and how with each class I take, the breadth of my knowledge in people and experiences expands, further cementing my choice. 

photo of Jennette McCurdy’s ‘I’m Glad My Mom Died,’ featuring my cat Zora


But that doubt I’ve had within myself throughout my young adult years has not solely been because of my family’s influences. I’ve also found literature to be quite intimidating at times. While my childhood largely impacted my ability to immerse myself in literature, it was not as if I could never attempt enjoying a novel or a poem.

I can recall many times throughout grade school when I was assigned a certain text in one of my language arts classes and became overwhelmingly discouraged by the complex diction used or ideas being expressed. Or perhaps it was a piece I picked up in a thrift store which I had convinced my mother to buy for me. Many times, I felt discouraged away from literature because I could not fully understand it. This was not a lack of intelligence on my part, but more so a lack of patience.

As a young adult, I’ve slowly yet surely been cultivating this sense of patience that’s integral to studying literature. Which is why Traci Smith’s article titled ‘Wipe that Smirk Off Your Poem’ resonates with me. When I first read, “Poems infatuated with their own smarts and detached from any emotional grounding can leave the reader feeling lonely, empty and ashamed for having expected more,” I felt a brief sense of relief like finally someone recognizes my own frustration. Poetry, for me, was mostly off putting during my childhood because of its, what I thought at the time, mostly flowery and overcomplicated diction and syntax. Even as a young adult, I still do feel this way at times. It’s not beside me to admit that the novel is much more alluring to me than the poem.

However, with the study of literature comes that necessary discomfort at times to venture into the unknown and peculiar, to further my understanding of the world as I do and do not know it. The benefits continually prove to be immense and my love for the discipline steadily increases with time.

Turning to Literature

Growing up as a middle sister, I learned many lessons through the experiences of my older and younger sisters. I was constantly seeking to protect them, understand them, and support them, even when their struggles, triumphs, achievements, disappointments or goals were different than my own. However, this closeness changed and shifted as I grew up and we all attended different boarding schools. As I began studying French literature, I found myself deeply connected to Marcel Proust and Levi-Strauss. Their perspectives on how to handle themselves, their own darkness, their thoughts and perspectives on the world and how they conceptualized their reality all served as models to me when I was doubtful or struggling to understand my own reality. Feeling a connection to another person through their writing gave me great peace when I needed it most. Just as Steve Martin felt after reading W. Somerset Maugham’s The Razor’s Edge, a story about a quest for knowledge, I felt that through learning, and reading in particular, I “could have secrets possessed only by a few” (Hitz 28). That’s what people need most in their youth, some words of guidance, which I think literature can provide, which in turn can make people, if not better human beings, at least feel better for a period of time in their lives.

Throughout my life, literature has provided me with guidance, reassurance and a sense of comfort. I’m inclined to believe that my personal experience serves as enough evidence for me to believe that literature makes people “better,” kinder, and softer. In “Does Great Literature Make Us Better?,” Gregory Currie argues that there lacks “causal evidence: we need to show that exposure to literature itself makes some sort of positive difference to the people we end up being.” I would include myself in the group of individuals who “will probably soldier on with a positive view of the improving effects of literature, supported by nothing more than an airy bed of sentiment.” But that airy bed of sentiment is all the evidence I need! After all, if literature has the capacity to show us how to relate to others, find connection and find solace in it, then I think that literature has improving effects on people, whether those effects are short-term or long-term probably depends on the person.

I was particularly fond of Currie’s reference to Martha Bussbaum’s book “Love’s knowledge,” in which she argues that narrative form gives literary fiction “a peculiar power to generate moral insight.” I love this! Narratives have a beginning, middle and end. It’s nice to read a story that presents a character, a challenge, a (hopefully) journey towards overcoming obstacles and eventual triumph. I agree that narratives would generate moral insight by allowing us to see the beginning, middle and end of a tale, imparting a lesson or wisdom to the reader.

I agree that reading can help us to empathize with other human beings, in addition to helping us connect with ourselves.  In the article “Does reading fiction make us better people?,” Hammond discusses how books can teach us about the world, especially through our identification with characters in books. The article states, “without necessarily even noticing, we imagine what it’s like to be [the characters] and compare their reactions to situations with how we responded in the past, or imagine we might in the future.” Reading stories gives us the opportunity to put ourselves in someone else’s shoes, to empathize with another person’s experience, to dive into another culture, assume a different perspective. Specifically when reading fiction, the reader is more likely to “suspend disbelief without questioning the veracity of what people are saying,” and view a characters life over a span of time, even many years. For me, reading fiction and other literature, has given me the ability not only to better understand human beings, but also to better understand myself. I have found comfort in knowing that my struggles, challenges or feelings at a certain point in my life are shared by another person (an author, character, sociologist, philosopher).

English Major in the Business World

Throughout my life, I have always been naturally in tune with the world of reading, writing, and thinking. I’m a big feeler and intrinsically identified with the emotive, the introspective, and the passionate.


 My parents— big in the business and finance fields— were NOT happy when I told them I was going to be an English teacher. But I knew that it was something I had to do for myself. After my first shot at student teaching, I quickly came to realize that being a high-school English teacher is A LOT more than just loving literature and wanting to share that passion with your students. I truly couldn’t see myself restrained by academic legislation and confined in a classroom for the majority of my career. Although, reading “Poetry is Hospitable to Strangeness and Surprise,” reignited the spark I have for sharing the joy of reading and writing. I loved when Rosal wrote,

“Not enough is about how everyday people are moved by poems. Truth is, they are hungry for it — especially when it’s written, read, performed and listened to with the whole body. If you saw the audience at Brave New Voices this week or the young folks at Sarah Lawrence College’s Summer High School Writing Conference, you’d see a heightened listening. Educators crave that kind of listening.”

And that is completely true— educators do crave that kind of engagement.

I remember distinctly when my best friend was student teaching in the classroom (English I, a majority Spanish-speaking class) with me and she gave a short lesson on poetry. She had the students (most of whom usually put their heads on the desk and slept throughout the period) rip pages out of old novels and magazines to create blackout poems. It was one of the most amazing things to witness as these incredibly frustrated and uninspired kids turned in not just one but multiple beautiful blackout poems. Getting to read them afterward was so rewarding because the students finally got a chance to express themselves and let out their emotions in a healthy way at school.

Being able to be part of that is something I will remember forever and makes me wish that teachers would receive the salaries that they so incredibly deserve. Reflecting on my time at the high school makes me remember Jasmine Guilllory’s article “Reading Anti-Racist Nonfiction Is a Start. But Don’t Underestimate the Power of Black Fiction.” She says,

“Multiple studies have shown that reading certain types of fiction increases a reader’s empathy for others. Fiction gives you a window into both lives you know and recognize and ones you don’t It helps you to put yourself in the shoes of those characters, even when you have a different perspective when it comes to race, gender, or sexual identity.”

I will never forget the feeling of absolute dread in the room at 8am as the kids staggered in knowing they were going to be forced to read and write about stories that were so out of touch with their realities. It’s just common sense but you can read about the value of black fiction for black children and teens here.

After months of reflecting during my student teaching semester, I discussed heavily with my parents, peers, and advisors, about if I should explore other career paths. The harsh reality is that I would not be able to support myself, let alone a future family as an English teacher. With a lot of back and forth and inner turmoil, I cut my degree in Education short and decided to pick up a Marketing minor. And this has been one of the best decisions of my life so far. With the heavy support of my advisors and professors, I learned there is so much you can do in the business world with an English degree. Effective communication and critical thinking are major skills needed in marketing and sales-oriented careers. I’m experiencing every day the joys of expanding my professional network in the Business School while working towards a career in medical device sales. I feel like I’m in a space where I get the best of both worlds.

Pluto (black), Penny (tabby), and Maple (tortie)

I Hate AI

I’ve always been an emotional, sensitive person; my mom once said that no one would care as much as I did. I’m almost totally sure this is why I feel literature or any piece of writing so deeply. Even if it doesn’t directly relate to me or any category that I fit into, I know that the person who does relate–if it’s written well–will be affected in a positive way and that meant something to me. Poetry and fiction were made to be emotional even if it’s not directly the story’s tone. The novel may not be sad by the author’s choice, but when we read we connect with characters we may have never met in real life or never could have related to in passing. One of the books that first inspired this in me is Sharon M. Draper’s novel “Out of My Mind.” This was one of the only books I have read multiple times, I’m not a big fan of rereading my books, but I couldn’t help but I love that book; even if it made me cry, I wanted to be the main character again and feel her stress and eventual triumph. 

To me, English, writing, and any form of words have always been about emotion and being able to be empathetic. I felt sad for every character, every author, every imaginary person that’s reading it in the past, present, or future. Like Jasmine Guillory in her article “Don’t Underestimate the Power of Black Fiction” I felt very deeply what the characters were feeling. I’ll find something in every character that’s similar to me or take something from each character and I take a piece of the story with me. Maybe it’s odd for me to say I find something like myself in every character I read, but honestly, as someone who wants to create things—create films, novels, something tangible—I want everyone to find a book that they see themselves in. I think that the whole point of reading is finding those shared experiences or discovering your feelings along with the character. And I think that’s part of why I also want to write is because I want to be able to experience so many things that I feel like the way to do that is through reading and literature, it’s not just going places within a book, you get to experience so many people’s lives. I want to be them and take a little bit with me too. 

A lot of what we read this past week stuck with me because it talked so much about the emotions surrounding the English language and literature. Former US poet laureate Tracy Smith spoke in her opinion piece in the New York Times titled “Wipe that Smirk Off Your Poem” about how now poetry authors have the tendency to steer towards irony almost as if they’re afraid of being made fun of for being too emotional or too cheesy in their work. In turn, I think that has turned a lot of people off to poetry. One quote from Smith stood out to me in her piece, “Irony refuses to be life-giving or world-creating. Irony negates wish.” I think as a society we have become so steeped in irony that a large portion of people have decided to stay away from any sort of emotion as a sort of protection. If we aren’t vulnerable we cannot be hurt, but isn’t being empathetic and vulnerable part of what it means to be human. In a larger conversation on another day, this is why the issue of artificial intelligence concerns me. With the development and improvement of AI it makes me wonder if we will ever be able to return to openly being emotional, without shame or worry for compassion. I firmly believe that as humans we were made to create stories to deal with our emotions and share our experiences, none of which artificial intelligence could replicate. The act of reading fiction or poetry was created with the purpose of empathy and I was made to care.

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works cited

Agarwal, Pragya. “Emotional Ai Is No Substitute for Empathy.” Wired, Conde Nast, 31 Dec. 2022, www.wired.com/story/artificial-intelligence-empathy/.

Guillory, Jasmine. “Jasmine Guillory on the Importance of Reading Black Fiction.” Time, Time, 30 June 2020, time.com/5861861/jasmine-guillory-black-fiction/.

Smith, Tracy K. “Does Poetry Matter?” The New York Times, The New York Times, 2015, www.nytimes.com/roomfordebate/2014/07/18/does-poetry-matter/wipe-that-smirk-off-your-poem.

Materials for use during class

W Jan 24

M Jan 22

Link to Reflective Engagement 2 Google doc

W Jan 17

Link to Community Discourse Agreement

Link to Padlet activity: Community Discourse Agreement

Link to Reflective Engagement 1 Google doc

W Jan 10

Link to Padlet activity 1: About Us

Link to Padlet activity 2: Beyond the English Major

Link to Reflective Engagement 0 Google doc

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