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Author Archives: Jessica French
Back to the Basics of Crime
In an effort to provide background for my final project discussion concerning the depiction and experience of crime in Modern Poetry, this blog post will decipher the Classical period of Criminology and the way poets of the time were exploring … Continue reading
Posted in Final Project
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The Nineties…and The Little Mullen
As a child “raised” in the nineties, I was able to witness, first-hand, the changes that reverberated into the Twenty-first Century. Here are some of the decade’s highlights and possible connections to Harryette Mullen’s Recyclopedia: Trimmings, S*PeRM**K*T, and Muse & … Continue reading
How Poetry Explores Crime
DH Final Project Proposal Original Proposal: Because I am a Sociology Minor currently enrolled in Criminology, I thought it would be interesting to combine the two disciplines in exploration of how Modern Poetry treats crime and its understanding of criminality. … Continue reading
Posted in Final Project
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There Wouldn’t Be Tragedy Without Poetry to Describe It
Poems like Charles Reznikoff’s long poem Holocaust (1975) bring back memories that most would rather soon forget. Similar to poetry designed to bring awareness to the historical plight of African Americans, as its own “separate and self-contained genre”, Holocaust poetry … Continue reading
Posted in Critical
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’39 Big Things Lead to Big Bombs A Way
1939… marks the year World War II began. Leading up to the start of the war, many interesting events surrounding it included the ways in which modern society responded and interacted with the Second World War. Arts & Culture Professor … Continue reading
Posted in Chronos: Arts & Culture, Chronos: Science, Technology & Ideas, Chronos: Social Change, Chronos: War, Politics, & Nature, Uncategorized
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Women’s Literary Acceptance: Read and Roar
This week as our class pours over The Waste Land (1922) and Spring and All (1923), we are experiencing but a small amount of modernism in the Roaring Twenties. After losing our worldly innocence in World War I, the United … Continue reading
Hughes’ Freeing Forms
While both Claude McKay and Langston Hughes celebrate black culture and how they each identify with this population, Hughes’ tone suggests a greater sense of comfort with his heritage. Ramazani notes, “Hughes took as his primary muses the trenchant humor, … Continue reading
Posted in SnowDay
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Beelzebub’s Scaled Demon
“Beelzebub’s Scaled Demon” The pet endless with scale and skeleton As if some troubled aristocratic Evil had kneaded and ground the beginning and end of Scheme into a heap of muscle An epitome of skilled bones unwinged … Continue reading
Posted in Creative
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Marianne Moore: More Than Modern
Marianne Moore While studying Marianne Moore’s poetry, it is often more effective to focus on the symbolism reflected in her poetry in order to apprehend the meanings. Jerrald Ranta’s essay entitled “Marianne Moore’s Sea and the Sentence,” agrees that when … Continue reading
1916 – Crazy Baby, the Germans Make Machines and the Irish Revolt
1916 Arts & Culture During an era when every worldwide event made sense to one group of people or another, the arts were moving in a direction that did not. Dadaism, a European art movement-taking place during the early twentieth … Continue reading