My final project takes a look at the critical reputation of Jeffers across Modernism and beyond its time-frame by analyzing the critical review of the poet’s work, mainly revolving around four of his books of poetry: Flagons and Apples, Californians, “Tamar and Other Poems,” and Roan Stallion. In addition, I also briefly look at the underrated anti-war book Jeffers published in the 1940s, Be Angry at the Sun and Double Axe, as well as a meta-poetic essay published in The New York Times during Jeffers’s run as a Broadway playwright. Ending with a look at the scholarship of Jeffers’s reemergence, beginning in the 1960s at the fall of Modernism, I compare Jeffers to the Modernist giants Pound and Eliot, questioning how contemporary popularity affects permanence. Ultimately, Jeffers’s poetry becomes most timeless and meaningful, withstanding the supersession of Modernism by Postmodernism and serving as a classic influence to many contemporary poets across the West Coast and America.