There is one rather lovely scene in Joy in which we see some joy. It is the scene in which the women spend free time dancing together. This scene recalls our discussion of the song scene in Fire at Sea; both moments exemplify the “human response to suffering.” Here, costuming and shot composition call attention to the vibrancy the women are still able to generate within their oppressive setting. They wear casual clothes with plenty of color and pattern – a change from their usual work clothes: skin-tight, made-up and excessive ensembles. This more natural, yet still colorful look suggests that they can be themselves and celebrate life, even within their confines. Further, this shot breaks the rule of thirds, as four figures fill the screen. This compactness works on two levels: first, it brings into focus their enclosure within a small environment, representative of their metaphorical entrapment in the world of prostitution, but also, it produces a sense of comfort. The shot feels as if the room has been filled with life and friendship. The women are close together, dancing and smiling, highlighting a sense of equality and support for one another. The scene offers a moment of relief in the film’s otherwise heavy mood, working as the song scene in Fire at Sea does to humanize the people on screen.