A Cursed Performance

 

For all of you theatre kids out there, this one’s for youI based this meme on the stage superstition that it is bad luck to say “Macbeth” or anything related to Macbeth in theatre. For those not familiar with this superstition, the idea is akin to wishing an actor “good luck” before their performance, when proper practice is to say, “break a leg.” In the eyes of theatre lovers, saying “Macbeth” or wishing one “good luck” will curse a production. I chose this subject to shed light on the performances of the characters in this sequence in Inglourious Basterds. The American ‘Basterds’ are pretending to be Italian filmmakers and Bridget von Hammersmark’s escort, while BvH pretends not to be an Allies agent. However, the improvised nature of their act renders it inviable. The characters have thrown together this outfit at the last minute in attempts to rescue Operation Kino. However, the serpentine Colonel Landa sees instantly through their roles and flaunts his priviness by laughing maniacally at BvH’s cover story and by speaking fluent Italian.  

This still captures the moment when the Basterds and BvH realize that their cover is blown and that Landa is teasing them. Their performance has failed, and their faces reflect uncomfortable dismay and worry. However, in another, sarcastic sense, their faces are also the ones of disgruntled stage actors. If, on opening night of a production, after countless hours of rehearsalstage prep, costume design, and after the actors are all dressed and ready for curtain, someone were to say “Macbeth,” this is the sort of reaction that more than likely would occurFrom left to right, the characters’ faces seem to read: “Seriously?,” Ohhhhh no,” “MMMMM,” and “You may leave now, you disgraceful being.” The juxtaposition of this moment in the film and the moment when some says “Macbeth” in a theater highlights the doomed nature of Operation Kino, or at least, the failed performances by the Basterds and BvH. 

Do you hear what I hear?

For my analysis I want to talk about the score or the lack of one. Through out the film we rely heavily on the dialogue which makes since because the film reminds us to not always believe what you see and that what is right in front of you may not appear to be what you think it is. Dialogue is a way we can understand the characters chemistry, feelings and motives however, music can provoke even more emotion along with the action. This film does not have much of a score but when there is music playing I believe it is to make sure we are paying attention to what that person is saying. The scene that I have chosen is where Greenberg played by Felix Bressart does his dramatic monologue from The Merchant of the Venice by Shakespeare. He says this three times in the film, the first in the theatre where they both talk about roles they would love to do. The second when Warsaw was destroyed but only this time when he says it there is sad music playing. So when he says this it has a whole different meaning to it. It’s not only just a monologed from a play, it is the truth of these people being attacked and that there is more emotion to what he is saying. And the third time he says it is when he is confronted face to face with Hitler. While he is saying this once again there is a haunting chant in the background. So even though this film doesn’t rely on a score, music definitely helps play a part to provoke emotion when there is something the director wants the audience to feel and pay attention to. I also thought it was interesting that there were some words taken out of the monologue, the whole thing goes like this. Hath not a Jew eyes? Hath not a Jew hands, organs, dimensions, senses, affections, passions; fed with the same food, hurt with the same weapons, subject to the same diseases, healed by the same means, warmed and cooled by the same winter and summer as a Christian is? If you prick us do we not bleed? If you tickle us do we not laugh? ….Definitely changes the tone of what he is really trying to say.