Behind Open Bars

This still from Joy shows a visceral scene of a woman trapped out in the public, unable to partake in the basic human right and experience of playing with your child. The longing to want that sense of normalcy is unimaginable at this moment. The iron bars trapping her on the outside of the children’s world show us that even in broad daylight, where all can see, we do not know the serious situations people can be entrapped in.

The camera has placed her in the very middle of the screen forcing us to bear witness to her sadness as a barrier separates not only her from the real world but also the viewer. From this screenshot, without context, we see simply a woman of color staring defeated at something we cannot see. This is very much what all of the other people in the scene also see. Just a woman. Both us and them truly have not experienced the hardships and humiliation that this person has faced.

As we see later in the film, she returns to her home. I think to some degree this might be the case of wanting some familiarity, even if it is for a temporary amount of time. At times it is comforting to be in a place in which you understand. You know the rules and how you can go back to Europe. All of this. This horrendous system all exists without the majority of people even knowing it exists. Many will never know. As cliche as it sounds, we simply need to realize that for every situation there is more than meets the eye. Implementing that into your life is harder than it sounds…

Length of Liminality – Casablanca

During this scene in the film Casablanca we see many refugees being detained and brought to the House of Justice in Casa Blanca. In the context of the film, this scene shows the uncertainty and risk of trying to escape Europe as a refugee during World War II. Within this scene officers are detaining refugees because of invalid or a lack of letters of transit which allow one to travel freely around German-occupied Europe and to neutral Portugal, these letters are especially valuable to those stranded in Casablanca with hopes of making it to Portugal and the New World.

From the opening scene the narrator shows movement by showing the journey many took to flee Nazi-occupied Germany. The usage of the map shows technical elements used by the director in order to employ a sense of hope for a new life as well as risk in finding this new life. The theme of refugees is prominent throughout the whole film as it is about the journey many refugees attempted during World War II. The film follows along with the refugees voyages as they navigate their way through and out of Casablanca. Liminality encircles this film as the refugees in Casablanca have fled their countries of origin and are now awaiting a transition to a new status they will hold when their journey is complete. Casablanca is liminality central in this film.

Over-all I especially found this scene interesting because of the ending. A man who tries to run from the cops but is shot down in front of a sign that reads, “I keep my promises. Even those of others”. In his hand they find a poster I believe to be French propaganda against the Nazi’s as the poster reads, “Free France”. I think this scene foreshadows the loyalty and faithfulness people have to their beliefs and countries.