I chose this scene to blog about because I found that it fully encompassed the themes of refugees and movement within the film of Casablanca. With the help of narration, this clip shows the journey many Jewish Europeans had to take in hopes of fleeing Nazi-occupied countries they had previously called home. The background music and tone of the narrator expresses a sense of seriousness and urgency. I found the use of the map very interesting, especially how they showed the very path that many of the refugees fleeing Europe took. The director used these technical film elements to present themes of both risk and hope. I was completely unaware that Northern Africa became a place of transit for Jewish refugees during World War 2 so it was interesting new perspective to gain. The theory of liminality came to mind when watching this film because the refugees have traveled from far and wide, no longer in their country of origin, to Casablanca. Casablanca is portrayed as this waiting station, a purgatory if you will, in which people are waiting to receive the necessary paperwork to flee to the Americas. The narrator foreshadows this and the actual time in which people ended up waiting there in the clip I chose when he said “The others would wait in Casablanca where they would wait, and wait, and wait….”.
Tag Archives: film technical element
Casablanca
The chosen scene involves a conversation between Ugarte who holds two letters of transit and Rick Blaine. The idea of Casablanca was a “destination of freedom” as in order to obtain freedom, one would go to Casablanca, Morocco to get transit exit visas. This scene sets up the idea of the risk involved in freedom and being a refugee. Rick goes on to ask how he acquired the two transit tickets, as two German’s where known to have them. It is later found out that Ugarte murdered the two German couriers in order to obtain them. He had planned to take advantage of individuals trying to flee to freedom and charge a high price, that he could then split with Rick, as he had asked Rick to hold onto them and watch the transits for him.
The filming style is also an important component of the scene. It was shot in a close-up, over the shoulder shot. The close up conveys emotion and importance, as it typically includes the actor from mid-chest up. Over the shoulder shot conveys the conversation between two actors, cutting back and forth from one to the other to show the interaction being held.