The two stills I chose to analyze for blog post number 7 come from the film Fire at Sea by Gianfranco Rosi. I chose this film because the themes conveyed from the motion picture film share significant correlation to many of the ideas and topics we discuss in class. Fire at Sea is not the documentary one would typically expect but because it takes place on the Sicilian island of Lampedus at the same time of the European crisis concepts from the film intrigue me.
I chose this still because it’s from the beginning of the film and displays the beautiful red sea. The tone was set, dangerous Meditation traveling is not acceptable, Having people die on their journeys across the sea to escape from tragedy. The technique of establishing shot was used to show the coast to set the president of location. Wide shots are then also used here, to show it’s intended surroundings. Nature also plays a large role in this still because it doesn’t seem like after viewing this scenery later on we would be able to imagine 860 people on a boat insinuating who or who may not have made it.
I chose this as my second still to analyze because of the irony and how both stills connect within the entire film. The first still displays the beautiful Red Sea although 200 passengers died on the journey on the Sea later on in the film. In the first still we were conveyed images of escaping tragedy when maybe they brought themselves into the worst possible triumphs of them all. In the scene they use the strategies of close up shots and dutch angles. Conveying strong emotions allowing us as the viewer to experience both humane and why they are objectified.