“How are you afraid of a man
  running away from you?”
                                     -Toni Morrison

Fear is a magnetizer.
It changes the polarity of black bodies.
Makes them highly attractive to
bullets, police batons, tasers,
white rage, white guilt,
and blue-eyed blondes.

Fear is a multiplier.
It turns children into men,
men and women into monsters,
and non-compliant teens
into dangerous gangs
and threatening mobs. Continue reading →

for Charleston

I. A SONG OF INEVITABLE SORROW

Say hello to the little boy
Whose poor head is filled with noise
For I’m the bird he’s fixed to kill
For singing this song in the field

Blue Blackbirds, Blue blackbirds
Hear what is done to the singing birds

His hands around my wondrous wings
Plucked feathers my mother once stroked
I held the song within my throat
I sang after my body broke

Black bluebird, Black bluebird
Hear what is done to a singing bird

And now to make my music still
He took a stone up from the field
I sang to the stone like a lover though
For none could not my crush my trembling throat

Continue reading →

Live Oak

My roots run deep,
down into this soil
watered by the salt-spray borne
by my foremothers,
on whose limbs little white boys
climbed and hung their swings.

These heavy boughs,
thick and ligneous, spreading wide
and low enough for a man
to lean, rest his back
and hide behind the curtain
of Spanish moss soft enough
for the wind to murmur,
tell truths that come quietly
sometimes in wispy hushes.

His heritage runs deep too,
bloody tap-root, a bourbon barrel
ablaze, a beam in a dark cabin,
a boy-child without a likeness,
a resurrection fern,
fronds wrapped and waiting.

Riposte XIV: The [new] administration of justice and description of the laws
          after Thomas Jefferson’s Notes on the State of Virginia

I do not smile, behave, show fear, or shake.
I do not keep my hands on the wheel or look straight ahead.
I let them wait              for       my       answer.
             Do you know how fast you were going?
I put my arm on the door, cock my elbow and point it in their direction.
They will kill me anyway.
I set my gaze to theirs, one pale face at a time.
I wait.
Yes.

If any free person commit an offence against the commonwealth,
if it be below the degree of felony,
he is bound by a justice to appear before their court,
to answer it on indictment or information.

They will kill us anyway.
We are not free.

I do not conjure up tears.
I do not loosen the top buttons on my blouse.
I do not stay in my seat,
or call them sir or ma’am.
I do not explain.
My wallet is in the trunk.
I do not get back in the car.
I do not submit to their bullshit request.
Let’s see what else you have in the trunk?
I stand with arms folded.
I let them wait for my answer.
No.
They will kill me anyway.

If the criminal be a slave
the trial by [the county court any armed, near-white person]
is final.

I do not move. I do not unfold my arms.
I do not look away.
I do not change my answer.
I do not let my pounding heart move me to a tremble.
I do not cry.
I do not look in the direction of two new flashing lights.
Which one will be the killer today?

We are not free.
We are not safe.
They will kill us anyway.

Biography:

Shauna Morgan Kirlew‘s poems have been published in Pluck! The Journal of Affrilachian Arts & Culture, Anthology of Appalachian Writers Volume VI, Interviewing the Caribbean, The Pierian, and elsewhere. She lives in Virginia and teaches Literature of the African Diaspora at Howard University in Washington, D.C.

This is part 7 in the series Fallen at Charleston, guest-edited by Brenda Marie Osbey.

Fallen at Charleston
Contents:

“How We Could Have Lived or Died This Way” by Martín Espada

“Notes on the State of Virginia, III” by Safiya Sinclair

“What a Fellowship” by Afaa Michael Weaver

“Black 101” by Frank X Walker

“Black Bird” by Terrance Hayes

“Live Oak” and “Riposte XIV” by Shauna Morgan Kirlew

“Fallen at Charleston” by Brenda Marie Osbey