How Should Code Meshing be Taught in School?

by Kylie Armstrong

Amid the Black Lives Matter protests in response to police brutality, the concept of racism being taught in schools has emerged once again. Within this conversation it is essential to discuss the way that language and dialects should be taught in English classes, and whether teaching students to only use Standard English is the correct way for students to succeed in the future. In reply to a New York Times article “What should Colleges Teach” by Stanley Fish, in which Fish argues that the only way students will be able to change the world is if they have the tools of speaking professionally in Standard English, Vershawn Ashanti Young introduces the concept of code meshing. Young believes that it is important that everyone has the ability to communicate their ideas and has an understanding of the functions of language regardless of the dialect they are speaking, and that Fish’s method of teaching solely Standard English is causing a racist attitude towards Black English. From a similar perspective, Jamila Lyiscott, a tri-tongued orator, conveys the ways in which code meshing has been beneficial to her because each language she speaks is important and powerful. Everyone has different opinions on the controversy of how code meshing and dialects should be taught in school, but it is important to acknowledge that all dialects have rules and uses, not just Standard English. 

In his article “Should Writers Use They Own English” Vershawn Ashanti Young writes in  a mix of Black English and standard English to establish his concept of code meshing: “Code meshing is the new code switching; it’s mulitdialectalism and pluralingualism in one speech act, in one paper” (Young). He believes that teachers should teach students how to speak and write using code meshing in a formal and informal setting. He argues that “instead of prescribing how folks should write or speak, I say we teach language descriptively. This means we should, for instance, teach how language functions within and from various cultural perspectives. And we should teach what it takes to understand, listen, and write in multiple dialects simultaneously” (Young). Young is establishing his perspective that the education system needs to allow students to speak and write freely in their own languages in order to combat the negative attitudes towards Black English in the professional setting. Change needs to start with the new generations and the only way to do that is to teach them to be accepting of all dialects and allow them to use them in the classroom.

Jamila Lyiscott wrote her poem “Three Ways to Speak English” after encountering a woman who congratulated her for being very “articulate” during an academic panel she was on. In a Ted Radio Hour interview with Guy Raz, she explained that this encounter opened her eyes to the fact that “had [she] been speaking with [her] family, who’s Trinidadian, or with people in [her] community who speak black English vernacular, that this woman would have maybe not seen the same worth and value in terms of [her] intellectual capacity or just [herself]” (What Does it Mean to Be ‘Articulate’?). In her poem which she performed in a Ted Talk , she explains that she is fluent and articulate in all three languages by switching between them as she delivers her message. Her perspective is that all of her languages are useful in a multitude of settings and teachers should be able to teach about all of the languages and dialects of their students, because dialects shouldn’t be stereotyped as bad or erased and controlled by the education system. She brings in the ideas of prejudices against African American Vernacular English or Black English because of the nonsensical racial disparities that she and others have faced based on their way of speaking, similar to the way that Black hair is seen as “bad” and often controlled by white employers. This controversy over whether AAVE should be taught about and if schools should allow Black students to write using the language that they speak at home and with their friends is a result of these prejudices and negative stereotypes that associate Black characteristics with being “bad”. 

In Lyiscott’s Ted Talk she claims “The English language is a multifaceted oration subject to indefinite transformation” and in hopes of getting teachers to follow in her footsteps, she explains that each dialect has its own rules and that code meshing (as she exemplifies in her performance) should be taught in addition to these rules (Lyiscott). It is possible to be inarticulate when speaking in AAVE, but as opposed to popular belief, Black English is not just broken English. To illustrate this concept Lyiscott exclaims “when mommy mocks me and says, y’all be mad going to the store. I say, mommy, no. That sentence is not following the law. Never does the word mad go before a present participle” (Lyiscott). She demonstrates that AAVE is not just sloppy English, there are still grammar rules to follow, and it should be taught in school the history of and the correct way to use AAVE for the benefit of all students. However, it is important to note that even though schools should expose students to all kinds of dialects and languages, it could quickly become insensitive and considered appropriation if a classroom of white students were told to speak in Black English, or other dialects that they are not a part of. It’s essential for all people to understand and respect Black English as a language, but this does not mean that everyone should use AAVE in school or at home if they are not Black.

Other linguists such as John McWhorter, a professor at Columbia University have also taken similar positions to Jamila Lyiscott and Vershawn Ashanti Young on what teachers should teach about code meshing and diverse dialects. In his book Talking Back, Talking Black, McWhorter argues that Black English is not just “gutter talk” and linguists and teachers are “responsible for the fact that almost nobody knows that there exists something called Black English, which is complex enough to require books and academic articles to analyze, and which has its own grammatical structure, just as Standard English does, or Finnish, or Japanese” (McWhorter 7). He opens his introduction by describing countries such as Switzerland where people speak one language in school and print, but another language outside of a formal setting, and contrasts this with the idea that Americans speak Standard English in school and media, but outside of a formal setting Black Americans use “a lot of slang and bad grammar” (McWhorter 1). The education system needs to change their attitude towards Black English and start to understand that it is an actual language just the same as Swiss German in Switzerland, and stop repressing students’ language in school. 

All three linguists would agree that Black English is a language that should not be seen as just “street talk”. It should be taken seriously in the classroom, just as any other language would be. All teachers should expose their students to a variety of languages and dialects from a young age in order to teach them that there is power in being articulate in multiple tongues. Code meshing should be normalized and students should never feel like they have to speak in standard English to have the ability to make a positive change in the world. 

 

Works Cited

Lyiscott, Jamila. 3 Ways to Speak English. TED, https://www.ted.com/talks/jamila_lyiscott_3_ways_to_speak_english. Accessed 3 Nov. 2021. 

McWhorter, John. Talking Back, Talking Black. Bellevue Literary Press, 2017, pp. 1-11.

“What Does It Mean to Be ‘Articulate’?” NPR, NPR, 14 Nov. 2014, https://www.npr.org/transcripts/362372282. 

Young, Vershawn Ashanti. “Should Writers Use They Own English?” Iowa Journal of Cultural Studies, vol. 12, no. 1, 2010, Accessed 2 Nov. 2021. 

 

 

Dear Reader,

 

The purpose of my essay was to compare how Jamila Lyiscott and Vershawn Ashanti Young think that teachers should implement code meshing and AAVE into the classroom. I focused on Lyiscott’s Ted Talk and the way that she expresses that all three of her languages have rules and in order to correctly speak each language you must understand the rules first. This led me to include John McWhorter’s book Talking Back, Talking Black as a source because he shows similar opinions. 

 

I think that in my essay I did a good job explaining the way that Black English is its own language and that it has grammar and rules that should be taught in school. I also think that the part I included from Talking Back, Talking Black flows nicely with the way that I was writing my essay, and the content was very appropriate to this conversation. On the other hand, I think a weakness of my essay is that I didn’t talk very much about the differences in Lyiscott and Young’s opinions on code meshing in the classroom.

 

The challenges that arose for me when writing this essay were mainly trying to make sure that I get my own opinions in while focusing it on the advice that Young and Lyiscott are delivering in their works. I followed the prompt about Lyiscott’s Ted Talk and it focuses more on comparing the opinions of the two linguists but I knew that I had to have my own voice show through in the blog post too. I struggled to do this and stay within the word count, so I ended up trying to tie more of my opinions in with the conclusion, and the additional source (McWhorter) I brought into the paper.

Sincerely,

Kylie Armstrong

Kylie Armstrong Rhetorical Situation Analysis

Kylie Armstrong

Professor Peeples

English 110

14 October 2021

Rhetorical Situation of Students 4 Support Advertisement

Fig. 1 Students 4 Support advertisement. Source: College of Charleston

Walking through a college campus, students are constantly bombarded with messages right and left of opportunities to get engaged with clubs, organizations, and helpful tools to navigate them successfully through college. Within the College of Charleston campus, there are many chalkboard signs advertising different school programs and organizations offered to students, including an advertisement for Students 4 Support. Students 4 Support, a group of trained students who offer mental health help for peers, created an advertisement board that utilizes Harry Styles’ album Fine Line to promote mental health. The board displays a hand-drawn version of Harry’s album cover, along with a play on words of his song “Treat People with Kindness”: “treat yourself with kindness”, to convey the importance of self love and healthy mental health habits. While promoting this important campus program, the sign is also a rhetorical text responding to a “rhetorical situation”, as described by Lloyd F. Bitzer.

The rhetorical situation as theorized by Lloyd F. Bitzer sets the stage for any discourse, and it shapes the way that a text conveys a message. In his essay Bitzer explains “When I ask, What is a rhetorical situation?, I want to know the nature of those contexts in which speakers or writers create rhetorical discourse” (1). Every text is molded by certain circumstances that require a response from a particular audience. As Bitzer terms it, the rhetorical situation consists of en exigence, audience, and constraints. The exigence is “an imperfection marked by urgency” that prompts a text to be created (Bitzer 6). The audience describes the readers/listeners of a text that have the ability to be influenced by the message and respond to the situation, not just anyone who encounters the text. Finally, Bitzer notes that rhetorical constraints consist of “persons, events, objects, and relations which are parts of the situation because they have the power to constrain decision and action needed to modify the exigence” (8). The Students 4 Support advertisement board displayed on the College of Charleston campus is a response to a rhetorical situation comprising all three constituents: exigence, audience, and constraints.

Fig. 2 Results from McGill PSC studies. Source: Suresh

In the case of the Students 4 Support sign, the exigence that prompts the sign is that many college students struggle with mental health and need support systems. Even in a normal year anxiety and depression are issues that many college students deal with while adjusting to a new lifestyle, but with the addition of Covid-19 stressors the situation has only gotten worse. Jane Cooley Fruehwirth, Siddhartha Biswas, and Krista M. Perreira, in their article about the stress Covid-19 has put on first-year college students, explore the impacts on the mental health of students at UNC Chapel Hill. They suggest that “general difficulties associated with distanced learning and social isolation contributed to the increases in both depression and anxiety symptoms” and all universities should provide resources to help their students navigate these times (Fruehwirth 1). Students 4 Support is aiming to provide college students with a free, safe environment to talk through some of these issues students may be experiencing, with highly trained, upperclassmen volunteers that have gone through similar situations. They are available in person, on campus, and they have an option for students to confidentially text with a S4S volunteer if they feel more comfortable talking digitally. Students may not feel comfortable discussing their worries about school and mental health concerns in a professional setting, so Students 4 Support would be a good alternative.A study done about a very similar program called Peer Support Centre at McGill University in Quebec, claims that “individuals from ages 15 to 24 in Canada are the least likely age group to seek aid for their mental health in the form of professional services, despite being the most affected by mental illness” (Suresh 1). The graphs from the McGill University Studies display the answers from students involved with the Peer Support Centre (PSC) about their use of professional mental health services, as well as how they compare it to PSC. Some of the reasons that adolescents and young adults are reluctant to ask for professional help can include the cost, lack of time, and the stigma surrounding mental health concerns; this encourages college programs like these to try to create a better solution for students. On the College of Charleston website, they demonstrate that they understand these difficulties and that Students 4 Support is specifically designed because “many people find that it is more comfortable to talk to in a relaxed setting” (Students 4 Support).

Fig. 3 Downloadable image available to fans. Source: Do You Know Who You Are

Harry Styles is a good choice to represent Students 4 Support because his brand portrays a message of kindness and self love to all his fans. One of his most popular songs called “Treat People With Kindness”, (which is also his motto) intends to promote acceptance and equality of all people no matter what their gender, sexuality, race, etc. Harry encourages people to choose love everyday and the acronym TPWK is found on most of his merchandise and promotions (Styles, Treat). As Harry was releasing his new album Fine Line in 2019 he created a website for his fans that went along with his single “Lights Up”. It allowed fans to enter their name and a compliment would be generated for them. These compliments all signed “TPWK. Love, H”, allowed Harry to make a connection with his fans which intended to validate their feelings and uplift them (Styles, Do). Harry Styles and Students 4 Support share some of the same values and they both encourage others to value mental health and self love, which makes Harry Styles a good subject for the S4S advertisement.

As a rhetorical text, the Students 4 Support sign is addressed to an audience that can be influenced by this advertisement. In this situation, any student at the College of Charleston would be included in the audience because they could come across the sign on campus and would be able to use the Students 4 Support service. Students 4 Support is a program run by upperclassmen, but it is available to any students who want someone to talk to about stress from “relationships, family problems, changing habits, roommate issues, and academic pressures” (Students 4 Support). A more narrow audience that this advertisement draws in are students that are fans of Harry Styles. Walking by this chalkboard sign on the way to class, it may be missed by a lot of students, but the art has the ability to catch the attention of any Harry Styles fans. Not all of the students at the College of Charleston are fans of Harry, which limits the range of the audience that could connect with this advertisement. Students that aren’t interested in Harry Styles or his music, may recognize the art as his album cover, however the message won’t be as meaningful to them and they won’t appreciate the advertisement in the same way. This restricts the message of the text, and becomes a constraint of the rhetorical situation.

Many constraints limit the content of the Students 4 Support advertisement based on the format and context of the sign. First, within the limited space, the sign must include the contact information for Students 4 Support in order for College of Charleston students to be able to get into contact with the program and get mental health help. At the bottom of the advertisement a number to text and an instagram handle were provided in order for students to learn more about the program and sign up to text with a S4S volunteer. Also, because Students 4 Support is a college program and the sign is displayed on campus, the creator of the text had to follow any guidelines provided for what is and isn’t allowed to be exhibited at the school. This constrains the contents of the text to anything school appropriate that also follows the values of Students 4 Support. Using Harry Styles and his message of self love as the subject of this advertisement fits these limitations and attracts students to the advertisement. As many Harry Styles fans would know, he often presents the message that mental health is important and should be a priority, therefore this is a good subject for S4S to use because he reinforces their mission.

The Students 4 Support advertisement is a multimodal text that incorporates many forms of communication. Not only does the rhetorical text include the linguistic mode with the words on the sign, but it also includes images. The visual mode including the drawing and colors on the chalkboard are an important affordance in creating the rhetorical situation because they attract an audience while also constraining the contents of the advertisement. The creator of the text’s drawing ability impacts the way that the audience receives the message, because if the image of Harry Styles’ album Fine Line wasn’t well drawn, the connection to the words “treat yourself with kindness” would be lost. The bold colors and drawings on the sign are what typically draw the attention of students walking by on campus, and they help convey Students 4 Support’s message. The media of this message being on a chalkboard also affects the message of the text, because the hand-drawn images give a homemade feel to the sign which can appeal to the audience in a comforting way. The chalkboard format makes students think about the fact that someone else had to create this by hand, because it is different from the mass produced posters and signs displayed around campus. This is fitting for an advertisement of Students 4 Support because it appears less professional, and S4S is aiming to be a more comfortable and relaxed setting for students to discuss their mental health.

The Students 4 Support advertisement is an effective response to the rhetorical situation because it successfully addresses the exigence, audience, and constraints. The message “treat yourself with kindness” paired with a reference to Harry Styles conveys the importance of self love and seeking mental health help. The reason that this text is needed is to show students that there are tools on campus that they can use in place of mental health professionals and still be able to talk to someone confidentially. Anxiety and depression are major issues for adolescents and young adults adjusting to college, especially with the addition of Covid-19 stress, and it is essential for students to have an outlet for these worries. The Student 4 Support advertisement effectively draws the attention of students on campus that are Harry Styles fans, but it has the potential to miss the rest of the audience if they don’t know the album Fine Line or Harry’s motto “Treat People With Kindness”. However, the creator of the advertisement did a really good job creating the visuals and connecting the values of S4S to Harry’s motto all within a limited space.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Works Cited

Bitzer, Lloyd F. “The Rhetorical Situation.” Philosophy & Rhetoric, vol. 25, 1992, pp. 1–14. JSTOR, https://www-jstor-org.nuncio.cofc.edu/stable/40237697?seq=1#metadata_info_tab_contents. Accessed 20 Sept. 2021

Fruehwirth, Jane Cooley, et al. “The Covid-19 Pandemic and Mental Health of First-Year College Students: Examining the Effect of Covid-19 Stressors Using Longitudinal Data.” Academic Search Complete, 5 Mar. 2021, Accessed 30 Sept. 2021.

“Students 4 Support Focused on Helping Students via Text.” The College Today, College of Charleston, 1 Apr. 2020, https://today.cofc.edu/2020/03/20/students-4-support-focused-on-helping-students-via-text/.

Styles, Harry. “Do You Know Who You Are?”. Columbia Records/Sony Music Entertainment. DYKWYA, https://doyouknowwhoyouare.com/.

Styles, Harry. “Treat People with Kindness”. Columbia Records/Sony Music Entertainment, https://hstyles.co.uk/tpwk.

Suresh, Rahul, et al. “Program Evaluation of a Student-Led Peer Support Service at a Canadian University.” Academic Search Complete, 31 May 2021, https://ijmhs.biomedcentral.com/articles/10.1186/s13033-021-00479-7. Accessed 30 Sept. 2021.