Macbeth.
Squarely misogynistic. Also, the play shows the limits of tragedy. It shows you how bad passions are (and the women-witches that inspire them), instead of telling you what our passions are, as Sade does. Hence, philosophy (in Sade) over pathology (in Shakespeare). “Know thyself” over “Fear thyself”. Shakespeare keeps to the catharsis, the classical “purgation of passions,” where Sade heralds a new age of reason. Shakespeare marks the end of the tragical age. Sade marks the beginning of the philosophical age.