Contradictions in Nature (“Alone” By Celia Thaxter)

By: Shannon Walsh

For my second blog post, I decided to explore the poem “Alone” by Celia Thaxter. I titled this blog post “Contradictions in Nature,” because I found Thaxter’s poems to emphasize that idea. Her poem is entitled, “Alone,” and most definitely explores themes of loneliness and solitude, however, she does it in such a way that diminishes the negative connotation that sometimes follows the word ‘alone.’ She does not just compare aloneness to loneliness, but also explores themes of longing, solitude, and isolation. 

After reading the poem a few times, I have understood that Thaxter praises nature as she describes certain scenes when writing: “evening’s dusk and dew,” “lilies clustered fair and tall,” and “rich roses blushing red.” These small descriptions of nature immediately set the scene of the poem, something that seems like a garden. Additionally, I understood the “she” of the poem to be the woman who is tending to the flowers in the garden. The speaker observes her actions and expresses a longing to be closer to her, or perhaps her object of attention. This longing suggests that the unnamed woman holds significance to the speaker in some way, although never explicitly mentioned. The speaker observes the woman with an endearing tone, one that gives the poem a kind of poignant feel. Thaxter’s portrayal of solitude offers a perspective of profound appreciation for being alone. Overall, the poem has an introspective tone, where the speaker seems to be someone on the outside looking in, then consequently reflecting inwards of themselves. 

I chose this poem out of the list because its simplicity spoke to me. The short lines with beautiful descriptions captivated me upon first glance. I sometimes find it challenging to interact with short poems because I find that there is not much substance to pull from (which of course is not entirely true), or that I am interpreting the meaning of the poem entirely wrong. However, I was not met with those challenges when analyzing this poem. Thaxter’s language and tone made the poem flow so easily, which helped to illustrate its themes. 

The poem follows an AABB, or ​​coupled, rhyme scheme. As I find with many poems, the tactic of rhyming helps the poem to read more like a song and flow very well. She did not utilize any words that I did not know the prior meaning of, which also allowed me to read through the poem fluidly. There are four stanzas, each with four lines that end with a period at the end. The one exclamation mark in line three of stanza four drew my attention more directly to the line, “That rose she touched so tenderly!” I often notice punctuation marks in poetry because I find that they are intentional and make the readers notice something different about the line they are paired with. 

The poem holds strong cultural meaning in several ways. For example, “Alone” reflects on themes of romanticism and nature, both common to 19th century poetry.  The deep appreciation for nature’s beauty, along with themes of love and longing all speak to common themes of the Romantic period. A main idea that reveals itself in the last two lines of the poem is desolation when Thaxter writes, “I stood alone, outside the gate, And knew that life was desolate.” The speaker’s individual experience is actually common to the overall human experience with feelings of loneliness and desolation despite the beauty of the things and people around us and in nature.

In terms of my own experience, I feel as though I have experienced moments similar to those the speaker is addressing. Thaxter is writing about a specific scene in a garden, but her message seems to be more broad. I have experienced moments of solitude in nature, specifically ones where I observe the other people around me and feel a strange longing to be recognized or understood by them, or strangers in general. 

Along with the ways in which “Alone” is deemed culturally significant, are its factors that make it typical of nineteenth century poetry. These factors include the form, tone, and themes that I have mentioned above. However, Thaxter also employs factors that deviate from nineteenth century poetry as well. For example, the poem subverts typical gender roles in the sense that the speaker shows their vulnerability and emotional expression. Additionally, Thaxter’s poem offers a perspective on love and longing from a female viewpoint, which was less common in mainstream poetry throughout the nineteenth century. 

This poem (and my experience with it) was beautiful. The language of it feels timeless and universal for the human experience. I enjoyed the incorporation of nature and humans into one poem. The idea of the speaker being so curious and “longing” for someone, or something, was a really intriguing topic to read about through the form of poetry.

The image above depicts the poet Celia Thaxter

The Timeless Beauty of Life

By Shannon Walsh

One of my favorite poems written by an American before 1870 is “Crossing Brooklyn Ferry,” by Walt Whitman. I had heard about and read work by Walt Whitman before this course, but not this particular poem before. After reading and studying it, it has quickly become one of my favorite poems written by an American in the 19th century. I am potentially biased towards this specific poem because of the setting it takes place in. The poem takes place in Brooklyn and I am originally from New York. While I am not from New York City itself, rather about an hour out of it, in the suburbs of Long Island, I have always had a deep love and connection for New York City. Walt Whitman was born in West Hills, Long Island, which is about a half an hour from my hometown. This fact alone gives credit to the poet for me and helps me feel a connection towards him. 

The subject he is writing about feels very real to me. He is describing the journey the Brooklyn ferry takes from Manhattan to Brooklyn and relates that closing of a physical gap to the closing of the gap between the poet and the reader. The poem reads more like a story to me, and it follows the journey of a man who is taking the ferry home after the completion of a long work day. The images are so clear to me and I love how the poem surrounds the idea of the interconnectedness between humans. The man is curious about the souls around him, and we learn this by the line, “Crowds of men and women attired in the usual costumes, how curious you are to me!” The idea that we are all curious about the strangers around us; about their lives, experiences, memories, personalities, etc. is prevalent throughout the poem. As humans, we share the common experience of life. It is so beautiful and touching to me. I feel as though all humans have a deep desire to connect with one another. Even after a long work day, he is surrounded by the sounds and sights of so many different souls around him and he is beautifully curious about them. 

I also appreciated how the idea of time is played upon and I understood another theme of the poem to be the timeless beauty of life. Section 3 begins with, “It avails not, time nor place—distance avails not/I am with you, you men and women of a generation, or ever so many generations hence/ Just as you feel when you look on the river and sky, so I felt/ Just as any of you is one of a living crowd, I was one of a crowd.” These lines show how no time, distance, nor place can disconnect him from people in the past and present; those who have existed before him and those who will exist after him.

I often feel overwhelmed by life in general. By the passage of time, by emotions, by memory, by experiences, etc. Life is a difficult, yet beautiful concept that we constantly try to understand and make sense of. I like how Whitman uses the natural world to ground his message. He includes descriptions of the natural world, including the river, the sky, and the passing ships. These images serve as metaphors for the cyclical nature of existence.

In terms of form, I liked how the poem was written in free verse. I resonate with poems written in this style more because it feels similar to my own way of thinking. Even though it is separated into sections, the one single idea and stream of consciousness feels like a natural way to think and write to me. The picture below depicts the Brooklyn Ferry in 1890. 

This picture was taken in July of 1890 and published by The Library of Congress. The picture depicts the Fulton Ferry Boat in Brooklyn, New York.