The Prisoners Have been Released from Cultural Bondage

The example I choose from the article written by Ted Gioia is “Web users obsessively scroll through images online but….> Art museum attendance is down, especially at large premier institutions.” I choose to look at this comparison and result in society because it’s the one that saddens me the most. I think it’s interesting to look at how and why this happens. Many years ago we were introduced to the world of social media. Since it started it has flourished into many different realms of creativity, inspiration and entertainment. You can go online and look at countless pictures of art from paintings to fashion to displays and more. There’s many platforms on which you can view this stuff like google, tik tok, instagram and pintrest for example. I do think that it is a good thing that individual artists can now share their creativity with the world without needing many resources. It is positive that any person, even just a young adult from home can share their passion with others. On the other hand it saddens me to think that because this is so easy and accessible viewing for people in our generation and society, we haven’t experienced art in real form at museums and galleries. While it is good that young people are viewing art in general online or in person, there is still something so special about being at a museum and seeing how the art affects you in person. I mean when I think about it, one of my greatest memories of all time was my mom taking me to the Metropolitan Museum of Art in New York City every year for my birthday. I have such vivid memories of seeing all the displays (my favorite always being the fashion department). I can still feel the way I was in complete awe and disbelief at how unique and exciting some of the pieces were. It was also the experience of it that was so magical and something you can’t fully absorb online. You were able to interact with other humans and see and hear other people’s thoughts or reactions to what they were viewing. I understand that the reason we see this correlation between online searching and art museum attendance is because of accessibility and practicality but I also think it has something to do with human attention span. The designers of these social media platforms know that humans can’t be entertained while being focused on one thing at a time for too long. They used this to create addictive apps that make it so you can just keep scrolling and stay entertained. Because of this, I think that people don’t want to commit their time to go to a museum because that’s one place of focus and effort. I think this should change though because museums are full of different art pieces that are all separate from one another and if you really gave it a little time I feel that everyone would find peace and entertainment in it.

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Gregory Alan Isakov’s ‘Dandelion Wine’

It’s late at night, crawling closer to curfew by the minute but my sister and I continue to drive in silence deeper through the tree-covered Maryland backroads. The cool, late summer air flows through the car as the song ‘Dandelion Wine’ begins to pour through the speakers. The initial guitar was almost too quiet to be heard, so we turned up the volume. The single acoustic guitar was enough to command an audience even in its simplicity but then Gregory begins- “Summer days were just a magazine.” His voice is strong yet calm, annunciating every word for the listener to hear and understand. In the chaos, in the dark, his voice wraps us like a blanket and makes us feel that everything will be okay. His words recollect the changing seasons and create the perfect pretense for the rest of the album, foreshadowing some of the songs to come and encapsulating the story being told in the album. Although this song is incredibly short and has very few lyrics, Gregory had stated in an interview that this song had been the song that took the longest to write off this album and I find this to be evident. The lyrics are unbelievably simple but poetic, one of my favorite lyrics being “Fall swooned, left me drunk in a field.” Following the first verse, the bass enters, dancing slowly through the notes of the guitar. The bass is one of the aspects of the song that make me love it so much, the incorporation of it adds a level of emotionality that cannot be conveyed with vocals alone. I picture a boat sailing on a calm night, the bass creates quiet ripples in the song that allow the vocals to build. In the third verse, the song becomes a duet as a woman joins in and harmonizes, adding another layer to the song, and creating a subtle complexity. The last lyrics finish and the instrumentals continue to build as Gregory hums over top, creating a feeling that can best be described as a sense of understanding, or a revelation. This moment of clarity crescendos and falls and we are left with the remnants of the simple guitar again, alluding to the beginning of the song as it concludes. 

My sister and I round the bend and the backroads are behind us, and we start home as the next song begins. I am left with a feeling of emptiness and realize that is the only time I can experience that song for the first time. Still, despite this, I play the song frequently, and every time I listen I am taken back to that moment in the car, and I am brought to peace. This 3-minute song composed with only four short verses moves me to tears almost every time. This song to me is what it feels like to finally see a bit of light at the end of the tunnel after being in the dark for so long. It’s the feeling of finding the surface after being held underwater, or the moment of calm after the curtains close. The incorporation of strings such as the violin and the bass are such defining aspects of his music now and the song is an amazing introduction to this. This album is such a pivotal piece in Gregory Alan Isokov’s discography as it highlights the shift in his music as he found his sound, and Dandelion Wine is the perfect song to represent the start of this shift and a new beginning for his career. 

 

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Spending “A Night at the Symphony”

My life is constantly surrounded by background music. I have some kind of tune playing in my ear at all times, just noise to avoid silence. However, there are a few songs that will draw my attention away from the task at hand. A few melodies make me stop what I’m doing and put my full energy into taking in every note. Some music can’t sit in the background, it announces its presence loud and clear, pulling the listener completely in. For me, Laufey always does that.

In her live recorded album, “A Night at the Symphony“, she stands proudly at the center of a grand stage, surrounded by an entire orchestra. Each instrument blends together in beautiful harmony, but her voice cuts through with poetic words of heartache. It genuinely gives me full-body chills, I can’t watch the whole performance without being moved to tears. The music feels grand and powerful, while her words speak softly right to the soul. “Ég Veit Þú Kemur” is sung in her native language of Icelandic. Although I can’t translate a word she’s singing, I feel as though I deeply understand. Her music is so incredibly beautiful that it can immediately brighten my day. Whether I’m relating to her heartwrenching lyrics or daydreaming alongside her stories of love, she always gives me a powerful sense of peace and joy. I find solace in her symphonies, escaping from the troubles of my real life into her mystical melodies.

I would never have called myself a connoisseur of jazz or classical music. Something about Laufey’s mix of classical training, jazzy tunes, and modern twist has opened up this whole other world of music to me. I think many people feel intimidated by classical music. It comes along with a hoity-toity intellectual culture that often doesn’t leave room for simple enjoyment. Most young people have little interest in listening to classical or jazz unless it’s filling the background while they study. Laufey aims to introduce this genre to a new generation, renewing appreciation for these soft, beautiful songs. Funnily enough, I discovered her music on an app that epitomizes youth culture, TikTok. In 2021, I saw a clip of her singing a simple jazz cover, plucking a cello, and I became immediately obsessed. She only had seven songs on Spotify at the time, which I listened to so often that my speaker probably got tired of them. She’s now released three full-length albums along with many singles and collaborations and this year, received a Grammy nomination. In a strange way, I feel like I’ve grown with her over the past three years. That’s the best part of finding small artists, feeling like a proud mom as their music and audience grow.

I don’t know all that much about music, but I do know that Laufey is a powerhouse. As a composer, producer, cellist, guitarist, pianist, and singer, she creates art that speaks directly to the listener.  She crafts music that combines intricate, classical arrangments with relatable, conversational lyrics. Her musicality develops a deep-rooted connection that reaches through your ears into your soul. I can’t get enough.

Posted in Performance, Uncategorized | 3 Comments

Blog Post 3

In Ted Gioia’s chart titled, “The Prisoners Have Been Released from Cultural Bondage”, the second example shown states that “Web users obsessively scroll through images online, but art museum attendance is down, especially at large premier institutions.” This can be seen as both a good trend and a bad trend, for reasons such as it can benefit the individual if they are not physically able to visit art museums, and for the fact that art museums not getting as much attendance as they used to can cause these museums to shut down.

For people who are disabled, or those who cannot afford visiting museums, scrolling through images online can benefit them greatly, because of this, it is a positive trend regarding Gioia’s topic. On the internet, you essentially have access to everything. If you can not afford to visit an art museum, you can easily search up what art museum you want to visit, either go to their website or just go to the “images” option on your search engine, and you can see exactly what the museum has in store. Although a good amount of art museums are free of charge to visit, some people cannot visit them because they just do not have access to transportation to visit said art museum, or gas money to visit. Individuals who are disabled in any way can also benefit from this trend of simply viewing images online because it makes it easier for them to be engaged without putting themselves in any sort of danger by going to these museums.

Although this is beneficial to some, it can also bring negative outcomes to the owners, employees, and even artists who display their artwork in art museums. If art museums continue to lack in attendance, this can cause them to lose money, causing people to lose their jobs, or even leading to the museums shutting down completely. I believe that this trend will increase highly throughout the years, especially with how fast technology has been improving, I will not be surprised if art museums end up adding holographic attendances to their showings–and I would not be surprised if this already exists in some places. Another outcome that can occur because of this trend can be small art museums shutting down, this can cause a huge negative effect on the workers, obviously, and the artists who display their artwork especially because smaller art museums are typically do not really get much attendance anyway. This can also have a negative effect on the people who live near said small museums, if these museums are in a small neighborhood, it can be one of the only sources of entertainment for the individuals who live in it, and shutting something like this down would be incredibly disappointing.

A huge example of something similar to this occurring was during 2020, when a small museum located inside of a Macy’s was forced to shut down because they barely got any visitors due to it being a small museum, and they did not get enough m0ney from visitors to keep this museum alive. from a NPR article about this topic states, “For many small museums across the country, it’s been over a year since their doors have been open to visitors, putting them in the same life-or-death situation as much of the rest of the arts sector. Some smaller museums have struggled with accessing federal grants. And unlike large institutions, they don’t have large endowments and can’t fall back on deep reserves.” (Kravinsky 1). This is ultimately supporting my idea of smaller museums not succeeding as well as larger ones because of individuals not visiting, Laura Lott, the American Alliance of Museum CEO, adds on that “Museums exist to protect our cultural heritage and the things that we as a society have decided are important,” Lott says. “Unlike a restaurant or a shop, which we would also hate to lose, but would, when economic times return … probably come back in some form, once a museum closes, it’s closed forever, generally.” (Lott 1). It would not be a surprise if more museums lose artwork due to people just not showing up, resulting them to lose money.

Overall, while easy access to art on your devices can help certain individuals, it can cause harm to other people as well, and it is important to recognize small museums and support them so that they do not eventually shut down.

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Blog Post 3, Madison Grover

As soon as I hear Two Ghosts by Harry Styles, I am automatically transported into a place of warmth and love. I imagine our family trip to the mountains, seeing all the beautiful greenery and lovely food made. My mother would always listen to live performances of songs, specifically Harry Styles songs. She thought he always sounded better live. The whole car ride there, I was listening to his self-titled album, as well as watching his documentary, which included the live performance of Two Ghosts. Styles performed the live version in London’s Abbey Road Studios. He stands there, playing the guitar along with his bandmates. Harry and his bandmates all wear seemingly neutral color outfits, nothing that stands out and they all blend in nicely. He looks so young compared to the Harry we see today. The tattoos adorned on his arm contrast with the soft aura he exudes. The warm color of wood in the back along with all the surrounding instruments calls for a very lovely scene. The cool color of teal on the wall seals the room itself. All the different shades of blue rugs on the floor match the room perfectly. I tend to think of the cabin we stayed in when I watch the performance. The cabin included a lot of unique artifacts along with warm-colored decorations. I also am reminded of the whole album itself.


Harry Styles’s self-titled album is classified as a soft rock album, rock music has always reminded me of my family and all the great times we’ve shared together. For 37 minutes, there is no song on the album that does not deserve a listen. Each song is different from the other, shares a different meaning, and can give a different feeling. During his performance, he changed a few notes and emphasized certain words. It makes it even more unique in the sense that you feel special to hear something different from the original song. When he performs live, he tends to change a few notes and add a few extra bits and bobs. The fans go crazy for it. As the song progresses, I am reminded of seeing him perform live for the first time with my mother. It is one of the most fond memories her and I share. I was gifted the tickets as a Christmas present. It is hard to describe the joy I felt receiving those tickets on Christmas morning. As soon as the screen was lifted in the arena and he was revealed, I could hardly stand, I was so excited to be in his presence. The atmosphere in the arena was so warm and vibrant. I felt as if he was singing to me at that moment. During his performance of Two Ghosts during my concert, there were different shades of red and pink displayed on the big screen. Many fans lifted up their phones with their flashlights on. It was a sight to see. There is hardly ever a time that I don’t feel pure happiness when listening to Two Ghosts. There is always something pleasant to be reminded of. 

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Release from Cultural Bondage

By: Margaret Stapleton

The second row of Ted Gioia’s Cultural Bondage chart says, “Web users obsessively scroll through images online, but… art museum attendance is down, especially at large premier institutions”. This statement is claiming that people have started consuming art through social media rather than at large institutionalized art museums. This has happened because people are nowable to curate their own art collection online. Through social media people can be fed content that is chosen specifically for them, therefore there is no need for someone to go to a fine art museum. People are now more inclined to look at a personalized art collection online than pay an institution to see art that they deemed worthy.

I believe that this recent trend is a good thing. Social media allows for tailored content to pop up on the users feed which means people can be more unique by viewing art that aligns with their tastes. A large institution like an art museum is taking specific pieces and telling their audience that they should like that piece. However, social media is doing the opposite by allowing people to figure out what they like on their own and create their own appreciation for art. I think that this trend will only continue to grow over time and more and more people will start curating an online art gallery for themselves. I also think that more apps will be created for the sole purpose of allowing people to express themselves through art without any allegiance to corporate institutions. 

For example, there is an app called VSCO that is specifically made for posting photos that you want in your gallery. The gallery is made up of photos that you take and post on the app along with pictures from other users that you repost. This allows for you to build a unique collection of pieces. This app is avoiding institutions because it does not show any likes or followers counts and does not turn posting on social media into a competition. This app is truly used for the purpose of creating your own collection of things that you find beautiful and the art that you create. Another popular app that does not rely on an institution to force its definition of art, is Pinterest. This app allows you to create boards filled with different things that are beautiful to you. Beauty means something different to every person and Pinterest does a wonderful jobof allowing someone the opportunity to find that beauty. An art museum is not able to offer the same experience because its gallery is filled with pieces that they are trying to convince us are important.

Social media is becoming a common source of art for people. This is because it is made up of a personalized feed for each user who has a different definition of beautiful art. Overall, this is making looking at art a more enjoyable experience for people. The institutionalized art museum is not as popular as they used to be. 

 

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The Birthday

By Harvey Magun

The Birthday by Marc Chagall

I.

Life with my husband was all I could have dreamed it to be.

We would wake up each morning with our limbs intertwined,

and I felt safe and secure with him being so close to me.

 

We would spend our days in our offices,

sharing circular pastries,

and I never felt so at home, seeing him in his chair that sat before a tapestry.

 

We embraced the comforting silence of each other’s company

and mundane life became a luxury.

I cared not for the fancy articles of life

because I found comfort in the world when my husband was mine.

 

We made comedy out of our mistakes rather than grieve

such as when I sewed him a green coat but forgot the sleeves.

He told me he would cherish it, even in death,

but I don’t see how since what a blunder it had been.

 

I don’t remember when everyday became a blend

but it was soon after he last held my hand,

squeezing tightly as his soul slipped to death.

 

By the time his gravestone was carved,

I had such guilt for feeling like I should take down his photos.

One would think I was so angry, I could not stand to see his face,

But rather, each photo of the man I loved was merely a reminder

of everything that I had lost.

 

I welled with tears, walking into every room of what felt like our home

because my brain would fool me with the hope that he would be in bed,

in his chair,

in the garden,

in any room at all.

 

In some moments,

it felt like he was nearly still there,

calling me “beautiful” as he dozed off in his chair

or sleepily making a speech

about how lucky he was to love someone like me.

 

I often wept in our garden,

my endless tears for old life became a source for new,

and the garden my husband and I kept slowly grew.

 

I clipped a few florals and leaves

and set a frame of his face in a room by a balcony.

If I could not give him a birthday gift with him alive,

I would pretend he was, for my own sanity.

 

As I approached the room with the bouquet in my hands,

a fragment of carpet interrupted my gait.

My face stood still for simply a second

and I felt lips upon mine, but lightweight.

 

The moment was reminiscent of how my husband’s lips felt,

the way he’d sweep me off my feet to make my heart melt,

but it would not last.

As soon as the sensation had come, his presence was gone.

 

My heart began to ache,

worse than it had before.

I hated that I wished he would have left my mind sooner

than feeling fragments of ghastly love forevermore.

 

II.

I remember not when I appeared in this home.

I find myself floating from hall to hall

Watching some woman weep and wail and call

for a husband whose death has left her alone.

 

I find it a challenge to discover one room

where her tears don’t soak the carpet.

It’s not that I dislike this roommate of mine,

She’s actually quite beautiful to my eyes.

 

I wish from time to time that she would see that I’m here.

I often sit on a chair near a woven work

and stare back at her when, at the chair, she’d gaze.

One would think she did see me

considering how long she would look in the direction of my face.

 

I’d feel remorse if I said I pitied her.

Every night, she’d wrap a pillow in a strange green jacket

and cry herself to sleep, holding it.

I thought, at first, that she had just cut the sleeves for it to fit the pillow better.

At a closer glance, I saw no signs of cutting and realized she had made it herself.

Whoever her husband was,

he was lucky to love someone like her.

 

I wondered if there was a way for me to cheer her mood,

I followed her into the garden on a day she seemed to be more cheery than usual.

I sat in front of her to hopefully capture her attention.

I pulled my neck upwards to be comical, but to no avail,

she continued picking blooms and quickly walked back in.

 

I was determined to bring a smile to her face.

It’s not that I’m trying to woo her,

but that is a lie.

I wish she would see me.

I wish I could be the pillow that quells her tears.

I wish I was the person she looks for in her bed, the chair, her garden, in any room at all.

 

I followed her through the house that day

I basked in the beauty of her singing a song as simple as “Happy Birthday”

I wished her song was meant for me.

She carried a bouquet

and I pretended she and I were getting married.

How I would love to sweep her off her feet at the alter,

it would make my heart melt.

 

She suddenly tripped and flung herself forward

and I took the chance in my fantasy to “kiss the bride”.

Her lips were warm and heavy against my cold form.

I wished it could have lasted forever.

She fell to the ground and wept harder than I had seen before.

and I felt sorry that her loss would haunt her forevermore.

 

Explanation:

Rather than criticizing Marc Chagall’s painting, I wanted to be able to tell the story of the two people in the painting. The painting, itself, has strange proportions to say the least. I thought it was humorous that the man had a really long neck and no arms, so I tried to piece together what would have led the characters to the way that they are posed in the painting. I have loved this painting for years and thought that it was a very romantic piece, but I could never explain why. Making up a story for it makes it feel more complete. Marc Chagall’s first wife, Bella Chagall, is who the woman in The Birthday is based off of and I find it upsetting that he lost his wife so suddenly. I somewhat wanted to imagine what the death of a spouse would have been like if it had been the husband that died instead. When I was theorizing the plot of my poem, I wanted there to be a small twist. I love that for this poem, the wife is grieving over her husband and is struggling to move on, while the ghost of her husband is clueless as to who his wife is and who he is and continues to fall in love with his wife beyond the afterlife. I added multiple parallels where the husband mirrors lines that were said by his wife.

Posted in New Ekphrastic Poems | 4 Comments

My Flamboyant Grandson Pitch

By Asher Gann

The film pitch I will be presenting is My Flamboyant Grandson. I think this story will be able to encapsulate some emotions many people face on a daily basis. One of these emotions is feeling isolated and standing out. I want the focus of the story to surround the grandson more than the grandfather. The story will still be told from the grandfather’s perspective. The first scene starts with the camera panning down on the grandfather and his grandson before they go out. The grandfather would also be narrating and describing the scene their goal to go to the theater and why they are going.
One of the ways I would focus more on the grandson is by making the story take place in the past. I would put it in the 1950’s where it is a lot less common to be flamboyant. I think placing it in the past would make the grandfather seem more in place and the grandson more out of place. Typically when we envision the past we see it as being very conformed and many of the men and women of the time being dressed the same. I would make the costume for the grandson more colorful and out there while still upholding the style of the time. Most of the scenes would also take place in an insipid setting. The streets would be dark and gray just to make the characters stand out. The rest of the film follows the same events without the futuristic advertising. There would just be billboards of different celebrities as they start to influence culture. The reason they would get in trouble with the citizen’s helper would be different. The Citizen Helper would be stuck-up and snobbish. The Helper would eventually make fun of the grandson and the grandfather would continuously get more uncomfortable. The grandfather will eventually throw a punch into the citizen helper and the grandfather and grandson will leave the scene running. Grandfather will eventually get caught and carry out the rest of the story with very few changes from the original. Instead of having to do training as punishment the grandfather would be placed in jail for a few days and will be given a hefty fine.
The movie ends with the grandson and the grandfather reuniting after the grandfather’s punishment. The movie would be live-action with actors who are unknown. I would do this to put more emphasis on the characters rather than the actors. The conversation between our two main characters will be about how the grandfather has grown to realize that the grandson is being himself. The story will have a message of standing up for people you care about and about being unapologetically yourself. Once the conversation is complete the two leads will embrace each other in a long hug and the camera will begin to pan up. The first and last scenes will have the same classical song. During the final scene as the focus moves upward, the song will crescendo into a sudden cut once the credits begin to roll.

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Film Adaptation of “The Picasso Summer”

By Cayla Resnick

I think that “The Picasso Summer” would work very well as a film. However, I think that instead of George Smith knowing Picasso as a talented artist I think that it would be interesting if he didn’t know who Picasso was. I think that his wife Alice should know who Picasso is and be ecstatic that they are so close to him but George has no idea who she is talking about. I would start the movie with a small quote said by Picasso about the influence of art in individuals lives, and then as the short story does with the Smith’s talking about Picasso being nearby however, Alice has to explain to George why Picasso is such a well known artist. Regardless of what his wife is saying George doesn’t believe what Alice is saying and doesn’t think that Picasso is so significant.

For the beach seen I would have it so the viewer can’t see that it is Picasso and can only see what he is drawing. I would have George go up to Picasso and his drawing and explain how he didn’t understand the art that he created and express how he didn’t see how people enjoyed art. Then Picasso would explain how art can be observed and interpreted in different ways that can be unique to each individual. George would start to understand Picasso’s perspective and is about to take his phone out for a picture of the drawing when the ocean comes up and ruins it. While this is happening Picasso is walking away, George looks over at him expressing how he never asked who the man was.

When he gets back home he tells Alice about his experience. Yet neither one of them ever knows that it was Picasso who made the art in the sand. The only ones who get to find that out are the viewers right after that when they show Picasso again fully and it is revealed that the person George saw drawing in the sand was actually Picasso. This way it would leave the audience frustrated with the idea that he never knew it was Picasso however, it makes it more realistic since George in this adaptation isn’t a fan of Picasso. The only thing George can take out of his encounter with Picasso is Picasso’s message about the influence of art in peoples lives. At the end I would have George go and buy his wife a piece of art. Although it isn’t a Picasso painting, Alice is still very grateful for the gift she received. This shows a character development in George because he has learned from Picasso’s words and although he doesn’t know it, Picasso was that influence.

 

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Nighthawks Poem

It’s as if I don’t know her

The red dress

The dapper man

The diner

 

The reflection of her face upon her mug

There’s mystery in her eyes

There’s misery in his mind

 

She feels no pain 

She has no fears.

 

Feeling the frost of her gaze

Twirling her hands

Legs crossed under the table

 

It’s like she doesn’t know me

My hat

My drink

My stare

 

I notice it all

She looks down.

 

I know them

Yet they don’t recall me

I look down

They look up

It’s as if we are not here.

 

We are together 

We are here 

We don’t know each other.

 

Nighthawks by Edward Hopper is my favorite painting. For my poem I decided to create characters for the people shown in the painting and give them each a narrative, all of them but the employee. The first three stanzas represent the man sitting alone. The woman in the red dress was a previous lover of his and he thinks she does not recognize him and is jealous that she’s with another man. The next set of stanzas represent the man sitting next to the woman. He doesn’t feel a connection with her, he thinks she’s too involved with herself to care about him. The second to last stanza is from her perspective, she knows just who these men are, but she does not care enough to make an effort she is so self absorbed. After each period , it marks the point of view of a different character. The spacing of the lines represents the distance and coldness from the woman.

Posted in New Ekphrastic Poems | 5 Comments