FANTABULOUS !! The Hunger Artist Film Concept!!

The Hunger Artist is about a man who clings onto his fasting even when others have passed him by, even when it no longer makes sense. The boniness of a man who fasts for so long would be hard to represent with an actual person, it might be a little more gruesome than most people would want to sit through and look at for all ninety minutes of a feature length film. Because of this, I suggest that the film be done as an animated movie. That way, the story would be given more leeway on how emaciated the Hunger Artist is allowed to look without it being disturbing to look at. Besides, a lot of animated movies are able to display feeling much better than live action movies are. They also can be very adept at making serious subjects feel more palatable. Take the film Tower, for example, which is an animated movie about the Texas Tower Shooting.

Now for how I would adapt it, beyond medium, I would like to make some major changes. he character seems to isolate himself to some extent, despite enjoying fasting in the public eye and the attention he gets from it- most of them stemming from how the Artist seems to see himself in contrast to the world and society around him. He seems to see himself as separate from society, perhaps even a little superior due to his ability to fast. Because of this, I would like to try and create as many barriers between him and the rest of the world as possible. I think that one way this could be done is his clothing. I think he should wear something that exposes his whole chest, or at least most of it. Through this, we would be able to see his rib cage- and perhaps throughout the movie we can watch him get skinnier. I remember that, even though it was just dogs, in The Plague Dogs, the dogs got skinnier as the story went on and they were without a consistent means of getting food. It’s a subtle way of storytelling but pretty effectively shocking to anyone who might notice it. The people who stand around watching him would be extremely conservatively dressed- I imagine something Edwardian- perhaps it is set during this time. This would call back to a time of very strict social rules, roles, and etiquette, but also a time in which people saw anyone different as a means of entertainment- freak show worthy. I think this could be exemplified too, if they were different races- I’m thinking that the Hunger Artist might be Indian for those Gandhi parallels. Of course, the two of them do enjoy fasting, and that’s two dots anyone would connect, but at the same time- Gandhi did his fasting for the greater good while the Hunger Artist only fasts for selfish reasons- he can never be satiated. It really brings out the jerk in him. Another detail which I think would be really cool to implement would be use of color. Imagine the whole world as black and white and grey, but him as a yellow. Yellow has both the implications of sickness and of hunger. Yellow and red are used in fast food advertising because of their ability to cause hunger. Imagine him slowly becoming more and more yellow until he dies and he goes all black. Then, one more facet of film making that can be used is camera angle. The Hunger Artist would always be seen at a downward angle. This makes him small, powerless, and it would represent how society views him. Then, shots of society could be looking upward, and it would feel scary, like how people tend to feel when they’re judged, or when they’re in trouble. It also literally places the crowd above him because he and his lifestyle are at society’s whims. 

Imagine something like this. But in Yellow.

I did not use generative AI to conceptualize or write this pitch.

Posted in Short Story Adaptations | Leave a comment

Girl at the Fountain Ekphrastic Poem – Harper Scott

Girl at the Fountain – William Morris Hunt

waterbearer

she asks for nothing 

hand above her head,

begging the fount of some greek myth

to be swift and plentiful. 

 

her silhouette shadowed

onto blistering cement, 

hovering near what’s cold and clear. 

behind her, an endless green. 

 

hills and freedom and steady breath 

while she lives in grey secluded servitude. 

 

someone once told me 

they made the jug 

to fit a woman’s shape–

 

is that what we look like to you? 

 

i wish i could turn her around to face me,

set my hands on her shoulders

and carry the liquid weight for her.

 

but what she will bring upon her hip–

is the lifeblood of man, 

balanced on a corset & a smile. 

 

Explanation: 

When writing this poem, I thought back on what we have read from poems like Trethewey’s “Vignette.” I loved the way that she was able to describe what was happening in the photograph while also creating a little bit of her own narrative about the woman in the portrait. I felt a similar way about the woman in the painting I selected, which is “Girl at the Fountain” by William Morris Hunt. When I looked at her, I saw the literal job she was doing, carrying water, but I also saw so much emotion in her body language and facial expressions. I wanted to create a poem that emulated those feelings more than just plainly describing what was happening in the artwork. 

I chose to focus a lot on the shapes in the poem– the shape of her dress, her body, and the jug she is carrying. I did this to try and emphasize the struggle of women to fit into these certain boxes. For example, she’s doing manual labor in a full gown. I don’t know if any of you have ever tried that, but it’s not pleasant. 

The line breaks in this poem weren’t super purposeful except for the very first line, “she asks for nothing.” I wanted that line to stand out to emphasize the selfless nature of the woman in the painting. 

I hope you all enjoy it! 

I did not use generative AI to create this poem. 

Posted in New Ekphrastic Poems | Leave a comment

Two Men Contemplating the Moon- Caroline Twite

Two men in coats stand beside a large tree, gazing at a crescent moon in a dusky sky.

Two Men Contemplating the Moon, Caspar David Friedrich,  Date: c.1825 – c.1830

 

Who’s Looking Down: by Caroline Twite

The two men stood in a gaze of wonder. 

No words spoken in minutes, a quiet understanding that they had both succumbed to their own inner thoughts.

The man with the cane looked out far and wondered exactly just how much distance was put between them and the distant moon.

He was rarely awake to see it in its purest form and never had taken the time to really ponder the mysteries it beheld. 

But here he was soaking up its last moments before getting engulfed by the new day.

 

In a strange way he felt as though maybe somebody, somehow was looking back at him from up there. 

But that couldn’t be, only stars and dust floated amongst that eerie midnight background- and yet he couldn’t shake the feeling.

So a man on the moon, could that really be such a crazy idea? And yet there seemed to be crazier things happening everyday right back on his own soil. 

So why not, he took up to the sky and gave his new starry companion a smile. 

He wished for the moon man to know of a peace, not to be bound to a world of war he himself was stuck in.

And in some way that thought gave him comfort, easing his heavy heart. 

 

Holding his grin he turned to his mate who used his shoulder for support and curiously asked what he was thinking.

Without skipping a beat his friend responded, “Have you ever noticed how the moon looks like a toenail shaving?” 

The man started laughing with such a deep chuckle it surprised his friend at first, only for him to join in a second later. 

Eventually they packed up their camp, setting back out onto the path and despite his bum leg, the man with the cane felt lighter than before. 

Only glancing up again to say goodbye once more to a fast fading dawn. 

 

Response:

I don’t believe my poem is closely related to any of the ekphrastic poems we read in class. That being said I went for a more lighthearted style of poetry with a twist which could be comparable to that of Not my Best Side by U. A. Fanthorpe. For my poem, I didn’t not write much about the painting and the artistic decisions, but rather tried to imagine what story was occurring within it. The title of the image was called “Two Men Contemplating the Moon”, so I made the decision to think of what two different men would be thinking about when staring at the setting moon in the beginning of an early morning. I wanted to believe that one man was very deep within his thoughts. I noted one man was wearing what appeared to be an officers uniform and chose to assume it was during some war period. You are hit with a juxtaposition when you learn what the other man is thinking about, to discover it is only typical childish boy humor compared to the other man’s “grander” thoughts. When writing the poem, I decided to take breaks when it shifts between the man with the cane’s interactions with his friend being present next to him and when he’s interacting with the character he’s created. It’s almost as if he’s floating up only for the breaks in the poem to show when he is being brought back down to earth. I mentioned the man’s heavy heart and how he was comforted by the thought of peace within the man on the moon and tied it to the end when the man felt lighter, to represent a change within the character due to his new relationship. Overall I went for a more imaginative poem to match the painting.

 

I did not use generative AI to create this poem

Posted in New Ekphrastic Poems | Leave a comment

Modern Adaptation of Kafka’s “The Hunger Artist”

      Frank Kafka’s “The Hunger Artist” is an incredibly unique short story that I think is worth adapting into a short film for a modern audience. There have been other adaptations, such as Tom Gibbons’ 2002 Claymation film. While Gibbons’ film is an amazing piece of art in its own right, I think it would be worth seeing how this story could be further changed to relate with modern audiences more.

          If I were to adapt this story into a short film, I would set it in present day, strengthening the connection to modern audiences who are going to watch it. I think the hunger artist himself should begin his career working in an art museum. I think of what the hunger artist is doing as performance art. I think it would be interesting to begin the film with the hunger artist moving from different contemporary museums to showcase his art (fasting). After a montage of the artist going to different museums, I want it to focus on one particular museum, preferably one in the United States. In this museum, his act will be showcased in one large room. The room will have light wood floors and white walls, almost sterile looking. In the middle of the room, the hunger artist will sit on a stool, next to him will be his clock and chart to keep track of the days.

          One important shot in this scene will be from the hunger artist’s point of view. It will slowly pan around the room to the concerned, but almost bored, looking faces of the crowd. I also want many of the shots in this film to be from above, giving the sense that we are watching the hunger artist like voyeurs. I think the distance these shots give will increase the feeling of isolation the hunger artist is feeling.

           After attendance to his exhibit in the museum start to dwindle, he will go on to work at a zoo, where he performs as a hunger artist with the other animals around him. He will stay working at the zoo until he begins to blend in with the other animals and is slowly forgotten about. The film will end similarly to the story, with a zookeeper finding him in the cage and asking him if he is still fasting.

         One big change I want to make to the story besides setting it in present day, is removing the manager character. I want this version to focus more on the hunger artist’s struggles as an independent artist, since I think a lot of younger people, especially young artists, can relate to. I also want music to be a large part of the story telling. I want the music to be anxiety inducing and cause the audience to feel uncomfortable. I want the music to shadow the artist’s pain throughout the story. However, I want there to be moments when there isn’t music, such as close up frames on the hunger artist’s face. I think moments like this will cause the audience to sit with the feelings of the hunger artist and will make the film more impactful. I think it could be very interesting to witness how this story could be further adapted and see how modern audiences react.

Posted in Short Story Adaptations | Leave a comment

Pitch for The Real Thing: The Movie – Maya Tinney

Henry James’ The Real Thing is a story about how people view certain things, social class, and artistic honesty. To make this story a good film, I would set the movie in modern-day New York City. A world of high-fashion photography instead of a painting studio in the 1800s. The main character is now going to be a young fashion photographer trying to become famous in a time when social media and photo editing can change how some look. The Monarchs, who used to be rich and powerful, now they are just an older couple from the Upper East Side. They used to be big time fashion stars, but now most people have forgotten them.

This movie will mix the fancy world of fashion with the real struggles of the characters. In this movie I will have a variety of cinematic techniques to convey the story. First, close-ups and camera angles, the camera will zoom in on the Monarchs’ faces to show their sadness and how they aren’t seen as “perfect” anymore. This will help show the difference between how they see themselves and how the world sees them. Next, lighting and colors, when the Monarchs are living their normal lives, the colors will be dull and sad, but when they are in the photoshoots, everything will be bright and exciting. By doing this we can portray how fake this industry can be. For music and sounds, I will include a mix of classical music as well as present day pop music. In some scenes there will just be sounds of the environment around them to make things seem more real.

To make this movie even better and relevant to the present audience, I would add a social media influencer. This person is going to be very popular now a days but only because they follow the trends and do what gets them likes. They are the opposite of the Monarchs, basically showing how in today’s world everyone cares about more how to look perfect than actually showing their true self. By adding this character the audience would be able to relate to the movie more. I would make this person be Alix Earle who is famous on TikTok or Zendaya who is a famous actor. I would put Timothee Chalamet or Florence Pugh to play the photographer. I would make an older actor like Nicole Kidman and Brad Pitt to play the Monarchs.

I would not use that much dialogue in many important scenes so the audience can really grasp the emotion and intensity in the scene. I will include narration from the main character to share their thoughts and have the audience understand better.

This version of The Real Thing would have a very deep and emotional meaning and resonate with the audience. It would help people think about what’s real and what’s fake in today’s world.

I did not use generative AI to conceptualize or
write this pitch.

Posted in Short Story Adaptations | Leave a comment

Vincent Van Gogh

Swirling flurries of blue and green

Take over the night sky

Occasionally pierced here and there

By bright shining orbs

Stars and moon alike.

 

A dark protruding figure

Draws your attention,

A cypress tree which seems to reach for the heavens.

 

Shining bright in the corner

The crescent moon seems to never sleep

Illuminating everything in its path

A small village

Roofs shining in the wake of the moon.

 

At the center of this village

Is a church spire

Also seeming to reach for the heavens

But it never seems to be able to reach as far as the cypress tree.

 

I chose to write a poem over Vincent Van Gogh’s “The Starry Night.” I chose this artwork as the subject of my poem because it is one of my favorite paintings. I was inspired by William Carlos Williams’ poem, “Landscape With The Fall Of Icarus.” In this poem he utilizes short stanzas as well as short lines and minimal punctuation. I also decided to utilize these elements because I enjoyed how it made his poem sound and how it came across. I would say in my poem I mainly described certain elements in the painting and how they made me feel or how they came across to me when I viewed this painting. While writing this poem I looked up the various elements in the painting and what they could possibly symbolize and added these elements into my poem. I mainly focused on the piece of artwork itself rather than the artist in my poem. I really enjoyed writing this poem and had fun doing so.

 

 

Posted in New Ekphrastic Poems | Leave a comment

The Hungry Artist

The Hungry Artist will be a contemporary, feature length film that will draw on different aspects of Kafka’s “The Hunger Artist”. The film will follow a modern day streamer who gorges themself on food 24/7 for their audience. This is a more extreme version of these creators, highlighting the dangerous trajectory they are on. 

This modern-day approach will dive into the grotesque counterculture of online binge eating and streaming that inadvertently mirrors the journey of the protagonist in Kafka’s tale. This plot change alone will bring in an audience because of the morbid fascination many feel towards this type of influencer. They are popular for a reason. 

This take on the tale will be Black Mirror-esque, meaning that it will comment upon the online fad of creators harming themselves, by taking it to a more extreme degree. Black Mirror holds up a mirror to society by taking something that is a budding societal issue and showing how society enables it and even encourages it, which is exactly what is happening currently with this online subculture. 

For the camera style, I want the audience to feel as if they are watching one of the online streams. Films like Cam (2018) and Spree (2020) utilize amateur camera quality and put you into the POV of an audience member watching through a phone or laptop screen is how I want it to be shot. This cinematographic choice will convey the idea that our main character is a spectacle for entertainment, and not considered to be a three dimensional person. Viewing the character through the audience’s eyes will further emphasize how far they’ve become dehumanized by their viewers, just as Kafka’s character was treated like a dancing monkey. 

To illustrate the revolting nature of the character binging themself, a sequence similar to the shrimp eating scene in The Substance (2024) will be included as well. The messy eating, violent sounds of food being chewed, and slow motion shots of the food being deconstructed, would make any viewers’ stomach turn while emphasizing the absurd, vile nature of what the character is doing. Kafka really hits home how stark the hunger is for his character, but since we are flipping the story on its head, a complete 180 will have to be done to convey the same message Kafka was. The message of personal destruction as a way to fuel art, notoriety, and conviction. 

Finally, I want the film to be stylized in the same vein as The Neon Demon (2016). I want vivid and dramatic uses of color included, but for them to be washed out by the darkness of the story. Color is a great way to command the attention of the audience, and The Neon Demon uses bright colors while still keeping the eerie, unsettling nature of the plot at the forefront. 

Overall, I think by using masterful examples of visual storytelling and editing techniques as points of reference, this film adaptation will be a success.   

I did not use Generative AI to conceptualize or write this pitch.

Posted in Short Story Adaptations | Leave a comment

Ekphrastic Poem for English 192

Ulysses and the Sirens - John William Waterhouse

Ulysses and The Sirens: By John William Waterhouse

Untitled Ekphrastic Poem: By Adam Carter

Rocks and Waves, Ocean smashes together

Reckless and Dangerous, Seas harmonize chaos

Focus and Planned, a crew rows through

 

Monsters and Myths, told by Greece come to life

Captain and King, Favored by Thoughts’ Daughter

Truth or Lies, unknown until he hears their words

 

Wit and Will, by a master solve any problem

Forward and floating, his ship approaches sultry words

Desire or Need, the captain struggles against a mast

 

Desperate and heart filled, voices fall against wax

Wings and feathers, surround his boat

Angry and Vicious, birds lose to bees

 

Victory and Success, a crew and captain sail forward

Homeward and Happy, at least one of whom will go

Artistic Decisions:

I really enjoyed this particular assignment. I knew I wanted to use a Greek painting, but finding one that really resonated with me was hard. This particular painting I found was not my first choice, but I think it is the choice that most readers could recognize. The painting itself tells one of the odysseys most famous scenes; that of the sirens.

In the heart of poem one thing that I tried to do was add a reference that someone familiar with the story and/or other Greek stories could understand. For instance “thoughts daughter”; anyone can recognize the father of Athena to be Zeus, but I instead chose to reference her mother Metis, the titaness of thought and council.

Another thing that I did was break each set of stanzas up into themes. The first lines set the scene, the second introduced the story, the third built up the conflict, and the fourth was the climax. The fifth and final few lines wrapped up the scene and story that I and the painting told. I was hoping by doing so it would allow me to give the reader a understandable and succinct description, which I feel it was rather successful at.

 

 

 

Posted in New Ekphrastic Poems | 1 Comment

Kaity Kogler, The Witch

 

 

 

 

 

 

 

The Witch

 

His ship docked on my isle of solitude;

His men came first, like beasts onto my land.

My magic raged as they drew closer,

Trespassers on this immortal soil.

They drank my poisons under the guise of 

Safety, falling to my feet as creatures,

For they could not recognize a goddess.

 

Complicated man, come towards me now,

Drink from my goblet, same as your men. For

I have brewed immortality, my love.

Look not through the mirror, your pigs below,

I am here before you, this throne to be

Yours, if you stay with me, Odysseus.

 

Master of thieves, must my secret be told?

I worshipped his tongue, so careful, his wit

matched only by aegis-bearing Zeus.

Yet he will sail away, his men returned.

My last gift, stolen on this godless land.

 

Explanation:

I wrote this poem about John William Waterhouse’s painting “Circe Offering the Cup to Ulysses,” which represents the sorceress, Circe, offering the Greek Hero, Odysseus (also known as Ulysses), a goblet of immortality. I attempted to write this in iambic pentameter, but having never done so before, I definitely did not do the best at it. I skipped some lines (making them 9 or 11 syllables) because I could not figure out how to make them work! I chose to write about this painting as if the narrator were Circe herself, and the present tense was this captured image – the past and future tenses being written based on what I know about the story itself. I tried to reference what is being depicted in the painting while not making it obvious that this was entirely about a painting, if that makes sense. I did use some words deliberately – I used “Master of Thieves” instead of “Hermes” because I wanted to emphasize not only that he was a god, but also that he was taking something away from Circe (her chance to make Odysseus stay with her forever). The middle stanza was intended to be what Circe was thinking about the situation, as she did not yet know that Hermes warned Odysseus not to drink from the goblet.
I also used “complicated man,” which was a direct reference to Emily Wilson; In her famous translation of Homer’s Odyssey, she wrote out the first line of Book 1 as: “Tell me about a complicated man.” This sparked some controversy, as the more literal translation is along the lines of “Tell me, O Muse, of the man of many devices,” and critics thought that using “complicated” downplayed the significant nature of Odysseus’ journey. I honestly just decided to include that in my poem because that is the version of the Odyssey that I have read, and I felt as if that would connect myself, the writer, to readers who have also read Emily Wilson’s translation and know of this debate.

I did not use generative AI to create this poem.

Posted in New Ekphrastic Poems | Leave a comment

Sophia Zazzarino

 I look up as nightfall begins,

The beautiful sky appears so deep yet still very wide,

An array of blues, whites, and yellows inside.

The stars sparkle, they glisten, and spin,

Almost like diamonds doing a little dance within.

 

Yet the moon gleams, the glow shines oh so high,

Almost like an eye up in the sky.

The wind blows on, the tree on the ground stands tall,

The hills are steep, so be sure to not fall.

 

The little town far below, sits peaceful and still,

The churches and houses rest just upon the hill.

The windows open, the main streets seem bare,

Perhaps its a lonely world, but remember the sky will always care.

I have always enjoyed Van Goghs artwork. I think he has always used very beautiful and unique color schemes to a lot of his work, with very defined brush strokes. These elements has always separated his pieces from other various artists for me. I didnt emulate a certain poet or poem for this task, I thought more on my personal interest to art and decided with the Starry Night painting. Throughout my poem I tried my best to take my personal interpretation of the painting and describe what I saw and felt. To me this piece, perfectly depicts a beautiful nightfall over a small town within the hills, where the moon always shines so bright, you can see so many glowing stars, and the wind is never to strong, just enough to barely sway the trees. I definitely focused a lot more on the art then the artist, I centered more on describing the painting and the emotions and feelings that came with it. I tried my best to break the lines in a strategic way to make my poem ryhme. It definently was my main struggle, but having the pause between lines I think helps emphasize the phrases. While, I did not have a main key word I planted throughout the poem, I tried to make my last line the most dramatic explaining how I saw the town as lonely but the sky will always care, meaning having such a vibrant nightfall with all the visable stars and moon could make somebody feel less alone.

I did not use generative AI to create this poem.

Posted in New Ekphrastic Poems | Leave a comment