Utopian and Dystopia on Foot: Shoes in Turn of the 20th Century American Fiction
J. Michael Duvall, Assistant Professor, College of Charleston
A famous scene from Theodore Dresier’s Sister Carrie (1900) has the shoes in a department store angling to replace Carrie’s perfectly functional, but less novel pair, while elsewhere in the narrative, beaten souls tread the city streets in “soppy[, …] shred[ded]” shoes. William Dean Howells, for his part, forms a miniature jeremaid in A Traveller from Altruria (1892), around the “saturday night shoe,” with a farmer decrying the factory-produced disposable shoes his daughters so fervently desire. And then there’s Dorothy’s famous silver slippers (ruby in the film) in L. Frank Baum’s Wizard of Oz (1900), which critics have convincingly arrayed in an allegory of contemporary currency standard debates.