When a Rose is Just a Rose

Dan Disney says in his article, “‘Let Me In!’ Opacity and Illumination in an Age of Technological Reproduction,” that while lyric poetry serves as an “illuminating gesture towards the real,” L=A=N=G=U=A=G=E poems “act as a metatextual invention which problematizes all claims to linguistic transparency.” But what does this really mean? Metatextual is defined as a […]

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In Response to Notes for Echo Lake 4

Did he talk to you Did you she what she saw I do the talking My words formed by turns and curves The lion spoke It spoke to me As the dog barked The shadowy dog barked Did you hear the juggler Did you hear the embarrassed juggler Is she in the portrait Did they […]

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Close Reading of “This Line”, sort of

Close Reading of “This Line”, sort of This week’s reading and poetry really did not come into focus for me until I read Lyn Hejinian’ Against Closure. She articulated perfectly how language fills the void in a person’s mind that is the void of unknowing. We don’t know anything until we can articulate it and […]

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Context matters, but also who cares?

I will admit, this week’s poems were hard for me to read. Understanding language poetry does not come easily to me because there is an erasure of concrete meanings applied to the words. However, it does heavily remind me of Gertrude Stein, whose work I have grown to love because it pushes me as a […]

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An Earnest Attempt at New Formalism

Speaking of Scales September enters softly; see my soul Is seeking new depths, taking lighter steps. Trees of myrtle give leaves to the hungry ground, Where this season’s first red and gold are found; They trace proof of blood, and rage, heroes loaned. O Muse how I hunger, o how I groan! For a heav’n: […]

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I can now mourn the dead

The Pardon (Spoiler, my paralyzed dog recovered!) Upon my first read through of “The Pardon” by Richard Wilbur, I was both moved and agonized. Last weekend, we put our family dog to sleep. Thirteen years ago, I found my first dog under a pine tree, paralyzed from botulism. If we read these poems as self-contained […]

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Oh To Be A Girl Peeling Apples

This poem feels impersonal at first, simply describing the girl and making visual connections to both the girl and the apples, yet when you move toward the end, Salter seems to paint the apple and the actions of peeling and prepping the apples as more. She relates the deconstruction of said apples to the “…spiral/ […]

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