Archive | Critical

Additional Insight into Wang, Yu, and Some Refreshingly Recent Poems

Timothy Yu’s introduction discusses the complexities of defining our particular era of contemporary American poetry, acknowledging the difficulty of describing something that has not yet finished. He sees the study of contemporary poetry as an opportunity, where critics can “reevaluate, rewrite, and revise… frameworks that often highlighted certain developments in poetry (and history) at the […]

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Rupi Kaur – Steeped in Feminism

I have been reading Rupi Kaur’s poetry since the fad started in 2014. Whether it was because I was a freshman in college and everything was exciting, or because I never really liked poetry but found hers accessible, I continued to find myself buying her books and really connecting with them. So when I saw […]

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Instagram Poets Give a Full 360 of Who They Are

Selfie-Help: The Multimodal Appeal of Instagram Poetry https://www.researchgate.net/profile/Lili-Paquet/publication/332428398_Selfie-Help_The_Multimodal_Appeal_of_Instagram_Poetry/links/619e9978f1d62445716821db/Selfie-Help-The-Multimodal-Appeal-of-Instagram-Poetry.pdf   Lili Pâquet writes on the influence of social media poets and how they are reshaping literary form and reaching new audiences in her article “Selfie-Help: The Multimodal Appeal of Instagram Poetry” (296).  She begins by discussing the difference of pen on paper to the typing to […]

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On Generational Trauma, and Being Briefly Gorgeous

In ““The truth is memory has not forgotten us”: Memory, Identity, and Storytelling in Ocean Vuong’s On Earth We’re Briefly Gorgeous” Quan Manh Ha and Mia Tompkins examine how memory and storytelling interact to shape identity through the vehicle of “On Earth We’re Briefly Gorgeous” by Ocean Vuong. While this article deals mainly with the book […]

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Don’t Read This. Read Stories Written by Black Women.

“The Poetics of Self-writing: Women and the National Body in the Works of Lucille Clifton” by Dr. Tanfer Emin Tunç explains the deep intersectionality that exists between racial studies and feminism as exemplified through the work of Lucille Clifton’s autobiography and her poetry. Dr. Tunç is a professor at University in Ankara, Turkey in their […]

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Naming the Nameless: Clifton’s attempt to right the wrong of namelessness

In “Black Names in White Space: Lucille Clifton’s South“, Hilary Holladay attempts to shed light on some of Lucille Clifton’s work, including “at the cemetery, walnut grove plantation, south carolina, 1989”. While Holladay’s work stands on its own, I am including a link to an interview I read on the Modern American Poetry Site between […]

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Lucille Clifton’s Gentle Urgings to Celebrate

Lucille Clifton 1936-2010     In Joyce Johnson’s journal article, “The Theme of Celebration in Lucille Clifton’s poetry,” Johnson highlights Clifton’s accomplishments, but focuses on how she maintained a celebratory tone in her works even while writing about some of the tough experiences of Black life. Clifton’s “vision is not marred by sentimentality, for she […]

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Lee Bartett, You Almost Answered the Question “What is Language Poetry?”

In my perhaps idiotic attempt to grasp Language Poetry, I stumbled across an article that I (charmingly, foolishly) believed to be the key to my understanding. This delightful article titled “What is ‘Language Poetry’?” by Lee Bartlett tried and failed valiantly and perhaps ironically to explain this mystifying style of poetics. I looked through half […]

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When a Rose is Just a Rose

Dan Disney says in his article, “‘Let Me In!’ Opacity and Illumination in an Age of Technological Reproduction,” that while lyric poetry serves as an “illuminating gesture towards the real,” L=A=N=G=U=A=G=E poems “act as a metatextual invention which problematizes all claims to linguistic transparency.” But what does this really mean? Metatextual is defined as a […]

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