The Center for the Study of Slavery in Charleston is assisting the Anson Street African Burial Ground Project in an important event and we urge you to attend. Soil collected from our site at the College of Charleston Addlestone Library, where African American cemeteries were once located, will be incorporated into the African Ancestors Memorial which will later be erected at the site of the Gaillard Auditorium. Attendees will learn about these organizations and participate in laying flowers at the site. President Andrew Hsu will assist in the soil collection with a representative of the Brown Fellowship Society and C of C student Zaiid Stroman (a 1967 Legacy Scholar and the grandson of a South Carolina Civil Rights activist).
Posts
Ed Dwight Pilot and Sculptor: Making History in Space and on Earth
by Dr. Bernard E. Powers
posted by Anna V. Miller
Ed Dwight Returns From Space Finally
On May 19th, 2024, Blue Origin the aerospace manufacturer made special news with its latest flight into space. The six member crew included ninety-year-old African American Ed Dwight, the oldest person ever to fly into space. That fact is significant enough but there is much more to Dwight’s story. His life is a window on critically important aspects of America’s twentieth century racial history, and it has a special connection to South Carolina. Stories like this one perfectly illustrate the truth of William Faulkner’s insight into history when he observed, “The past is never dead. It’s not even past.”
Even as a youngster Ed Dwight broke barriers when in the late 1940s he integrated the local Catholic high school in Kansas City, Kansas and graduated in 1951. Two years later, after completing an associate’s degree in engineering, he enlisted in the Air Force and eventually completed a degree in aeronautical engineering from Arizona State University. While in the Air Force he became a pilot and attained the rank of captain. By the early 1960s Dwight’s record of achievement earned spot at the prestigious Edwards Air Force Base Aerospace Research Pilot School which was an incubator for future astronauts. As a test pilot he learned to fly the most sophisticated airplanes in the United States military arsenal and taught others to do so.
This was the height of the Cold War as the United States, and the Soviet Union competed militarily and diplomatically for influence around the world. In that contest for “hearts and minds,” America’s woeful state of race relations in the 1950s and early 1960s became the country’s Achilles heel. Domestically, mass civil rights demonstrations, including sit-ins and freedom rides challenged racial segregation and the White South violently defended the status quo. The Soviets used these scenes to great advantage, particularly in the developing world where their propaganda routinely denounced American hypocrisy. President John F. Kennedy, a supporter of civil rights and the National Aeronautical and Space Administration (NASA) recognized this problem and urged the Pentagon to diversity the rising corps of astronauts with an African American. Ed Dwight became that first candidate. However, by late 1963, after completing the first phases of the program and securing the recommendation of the Air Force, for reasons that have never been fully explained, NASA did not select him for advanced astronaut training. Many, including Dwight, believe the decision was simply based on race. After President Kennedy was assassinated Dwight was transferred from Edwards Air Force Base and in 1966 he resigned from the Air Force.
After working in the corporate world for years, Dwight’s second passion for art was reawakened and he enrolled in the MFA program at the University of Denver where he earned a degree in sculpture. Using both technical and artistic skills he embarked upon a highly successful second career as a sculptor. His specialty is creating commemorative works of art focusing on African American history and its iconic leaders. In the last half-century Dwight has created a most impressive body of work which includes over 120 memorials and public monuments and 18,000 gallery sculptures dispersed around the country. Often the figures depicted are well known subjects. Dwight has sculpted at least seven statues of Martin Luther King Jr. and several of abolitionist and Civil War heroine Harriet Tubman. Others are less familiar such as Mary F. Lumpkin, the Richmond freedwoman who provided the initial land for the freedman’s school that eventually evolved into the HBCU Virginia Union University.
Ed Dwight was motivated by a profound regret that more was not known about the African American experience, but he was also driven by the knowledge that certain aspects of its history had been consciously suppressed. He relished the opportunity to use public art as a corrective to these socially constructed and racist silences. An example is his memorial to the 1921 Tulsa Race Riot, the worst the nation has ever witnessed. This multi-figurative monument includes elements from the riot but also a twenty-five foot Tower of Reconciliation which depicts the long struggle of African Americans in Oklahoma against injustice.
African American Monument Columbia, SC
Ed Dwight’s work can be found in South Carolina also. In 2001 his panoramic monument to the black history of South Carolina was unveiled on the state house grounds in Columbia. Consisting of twelve semi-circular panels on granite walls with a tall obelisk in the center, each displays a different theme from the seventeenth century to the present. To date it is the only monument of its kind erected at a state capital. The installation was part of a legislative compromise that relocated the Confederate Flag from atop the capitol building to the Confederate Soldiers’ Monument on the state house grounds.
The Denmark Vesey and the Spirit of Freedom Monument is another of Dwight’s creations. Denmark Vesey was a free black who planned a slave rebellion in Charleston in 1822. Before the plans could mature, word leaked out and he and thirty-four others were tried and executed. In the 1990s Burke High School social studies teacher Henry Darby organized a community group to properly commemorate Denmark Vesey in a city park. Many whites criticized the project, and it took about eighteen years to complete. Ed Dwight showed a deep commitment to this project and persevered with the committee through those years. Finally, during Black History Month in 2014 he unveiled this important figurative monument to great public accolades in Charleston’s Hampton Park.
Ed Dwight at the Vesey Monument Unveiling
Dwight’s most recent contribution to African American public art here, a fourteen foot bronze statue memorializing Harriet Tubman was installed in June at Beaufort’s Tabernacle Baptist Church. Tubman has long been recognized as an escaped slave whose numerous forays into the South led many other enslaved people to freedom. Although few know it, she liberated far more people in South Carolina than any other place. During the Civil War she was in the Beaufort-Port Royal area working for the Union Army as a nurse and spy. In the latter capacity she gathered information about Confederate military operations, geography and planter resources which were strategically valuable to the Union forces. Early in June 1863, she played a leading role in the Union Army’s raid against plantations on the Lower Combahee River in which over 750 enslaved people were liberated. This latest monument to Tubman is located proximate to a bust of Robert Smalls, another distinguished African American Civil War hero.
Ed Dwight is also an American hero on multiple fronts. Upon his return from space on May 19th he stepped from the space capsule and said, “I thought I really didn’t need this in my life. . . . but, now, I need it in my life …. I am ecstatic.” He was finally an astronaut. Mission accomplished. It was a full circle moment for Ed Dwight, for the first time reconciling this episode from the past and the present. He is in the record book as an astronaut who made history. Fortunately, he is also a sculptor whose many works in the landscape will help others through the ages to learn more about their history.
Selected Sources:
“Ed Dwight Was Going to Be the First African American in Space. Until He Wasn’t” https://www.smithsonianmag.com/history/ed-dwight-first-african-american-space-until-wasnt-180974215/, accessed August 8, 2024.
“Ed Dwight shows ‘the angst, all the emotions’ of black heroes in sculpture” https://www.theguardian.com/artanddesign/2015/may/28/ed-dwight-honouring-americas-black-heroes-in-sculpture, accessed August 7, 2024
“African American Monument-The South Carolina Picture Project” https://www.scpictureproject.org/richland-county/african-american-monument.html accessed August 4, 2024
“Ed Dwight, America’s first Black astronaut candidate, finally goes to space 60 years later” https://www.cpr.org/2024/05/19/ed-dwight-americas-first-black-astronaut-candidate-finally-goes-to-space-60-years-later/, accessed August 8, 2024.
Ed Dwight Sculptor and Historian https://www.eddwight.com/ accessed August 5, 2024
Edda Fields-Black, Combee: Harriet Tubman, the Combahee River Raid, and Black Freedom during the Civil War Oxford University, 2024
27th Annual Charleston Middle Passage Remembrance Commemoration
Join the Center for the Study of Slavery in Charleston and the Charleston Area Branch Association for the Study of African American Life and History on June 8th, 2024 for the 27th Annual Charleston Middle Passage Remembrance Commemoration Ceremony! This event is free and open to the public. The Commemoration will take place in-person from 9 a.m. to 11 a.m. at Fort Moultrie and Sullivan’s Island while simultaneous ceremonies occur across the U.S. and designated international locations. For more details, see the flyer above or click on the link below!
27th Annual Charleston Middle Passage Remembrance Commemoration
Global Dialogues: Shadows of Slavery
Join the CSSC in virtually attending the Zoom webinar Global Dialogues: Shadows of Slavery hosted by Stanford Global Studies in their Global Dialogues series! See the flyer below for more details. Register using the link provided.
Date: Friday, April 19, 2024
Time: 12:00 p.m. – 1:30 p.m.
Register for Global Dialogues: Shadows of Slavery
A Brown Bag Lunch Conversation – “Remembering Slavery in Charleston”
Join the CSSC for a Brown Bag Lunch Conversation on “Remembering Slavery in Charleston” with Dr. Vanessa Holden! Bring your own lunch and have a conversation about how slavery is remembered in Charleston. Dessert and drinks provided! See further details in the flyer below.
Date/Time: Wednesday March 13th, 2024 at 11 AM
Location: Addlestone Library, Room 227
CSSC Event – “Surviving Southampton: A Generational Story of Resistance and Rebellion”
The Center for the Study of Slavery in Charleston presents a fascinating lecture by Dr. Vanessa Holden – “Surviving Southampton: A Generational Story of Resistance and Rebellion.”
Time: Tuesday, March 12th at 5pm
Location: Alumni Hall in Randolph Hall, Second Floor
See further details in the flyer below!
Tackling Life’s Big Questions: The Monumental Minutes of the Clionian Debating Society
An interesting upcoming event at the Charleston Library Society based on an astounding document reflecting the intellectual life of Charleston’s antebellum free black community. Join us in hearing from Dr. Bernie Powers and Professor Angela Ray, of Northwestern University, on Thursday, October 26, from 6:00PM to 7:00PM, for an historical perspective on this profoundly important discovery.
Event Location (In-person):
Charleston Library Society
164 King Street
Charleston, SC 29401 U
Tickets: CLS Members $10/ Non-members $15
An Astounding Find on the Domestic Slave Trade in Charleston
Bernard Powers, Director, reports on this significant research discovery:
The Center for the Study of Slavery in Charleston fosters a deeper public understanding of slavery and its complex legacies. It supports academic research and teaching that examine the role of slavery in the history of the College and our region. Unfortunately, in Charleston and in many other cities, much of slavery’s past imprint today is shadowy, obscured or completely invisible to our contemporaries. In addition to studying the institution at large, at the Center, our plans include identifying many of the locations that previously comprised Charleston’s downtown slave trading district. These sites will be marked where possible with physical signage, and they will be cohesively catalogued for presentation including on digital platforms for virtual access. It will take considerable energy and time to accomplish this purpose; however, we are certain that meticulous and diligent research can locate the vestiges of this aspect of the once all-pervasive “peculiar institution” and its impact. Just recently our good efforts were advanced through the research of Lauren Davila, a graduate student in the College of Charleston’s master’s degree program and an intern at the Center. While investigating domestic slave trade advertisements in the local newspapers, she came across one that changed the historical record of this commerce in human beings as we understood it until now. The ad she found, announcing without fanfare the sale of six hundred human beings, is in the lower left-hand corner of the image below.
Lauren’s work came to the attention of Jennifer Berry Hawes, an award-winning journalist for ProPublica with a special knack for exploring the interstices of southern history; Jennifer expanded Lauren’s findings. To read about the remarkable work they have done see the ProPublica article, “How a Grad Student Discovered the Largest Known Slave Auction in the US,” which has also been republished in the Post and Courier.
Black Studies and the Ethics of Historical Privacy: When Archival Silences Are Acts of Refusal
Join us for Dr. Mari Crabtree’s sabbatical presentation on Black Studies and the Ethics of Historical Privacy: When Archival Silences Are Acts of Refusal
Thursday, March 23
5:00–6:00 pm
Addlestone Library 227
“Should Harvard Still Own My Enslaved Ancestors?” A Critical Conversations Event with Tamara Lanier on Repatriating Artifacts of North American Slavery
The Center for the Study of Slavery in Charleston invites students, faculty, staff, and members of the community to attend a public conversation about repatriation of artifacts, archives, race, and justice. The conversation will feature the story of Tamara Lanier, whose fight against Harvard University for images of her enslaved ancestors Renty and Delia has been covered by numerous national and international media outlets including the New York Times, Boston Globe, Guardian, and Democracy Now! The event is free and open to the public.
Tamara Lanier gives voice to her enslaved ancestors whose naked or partially clothed photographs were forcibly taken in 1850 outside Columbia, SC for a Harvard scientist, Louis Agassiz, who supported racist theories of polygenesis. Lanier’s case foregrounds the need for legislation that protects the cultural property of descendants of chattel slavery in the United States. All are invited to witness Lanier’s inspiring story about the importance of her family’s history and its relevance to national discussions about slavery and reconciliation.
Tuesday, March 21 5:30-7:00 PM
Septima Clark Memorial Auditorium (ECTR 118)