Tag Archives: Research

Minorities in Healthcare Professional Panel

Minorities in Healthcare Professional Panel

Minorities in Healthcare Professional Panel

Maybank Hall – Room 100
College of Charleston
169 Calhoun Street
Charleston, SC 29401

Thursday, April 20th
6:00 PM – 8:00 PM (ET)

Join us for light refreshments, breakout sessions with MUSC advisors, STEM experts and much more!

 

Ukweli: Searching for Healing Truth 

Septima Clark Auditorium (Room 118)
Thaddeus Street Jr. Education Center
25 St. Philip St, Charleston, SC 29401
Tuesday, March 28, 7:30 pm – 9:00 pm

The recently unveiled mural of Septima P. Clark in the Education Center at the College of Charleston will serve as a backdrop for a March 28 conversation on the civil rights icon’s life and legacy. A 7:30 p.m. panel discussion at the center will include five contributors to the book “Ukweli: Searching for Healing Truth” and an archivist from the college’s Avery Research Center for African American History and Culture. Ukweli is a collection of essays and poems on the Black experience in America. Georgetown artist Natalie Daise created the 7-foot-high by 30-foot-long mural, “Saint Septima with Carolina Jasmine” in the center’s Septima P. Clark Memorial Auditorium. Unveiled on Feb. 23 in the auditorium’s foyer, the mural features Clark’s portrait in profile and a quote from a 1970 speech: “I believe unconditionally in the ability of people to respond when they are told the truth. We need to be taught to study rather than to believe, to inquire rather than to affirm.

Ukweli, is the Swahili word for truth. The book follows a 2020 poetry-lecture series at McLeod Plantation organized by poet Horace Mungin. He passed away before Ukweli was released in February 2022. The book is a collection of essays and poems from 49 contributors, including Mungin and co-editor Herb Frazier. Ukweli contributors Millicent Brown, LaTisha Vaugh and Karen Meadows will discuss their Ukweli essays and Clark’s legacy.

Brown is co-founder and project director of an oral history initiative to identify the “first children,” like herself, to desegregate previously all-white schools. LaTishais co-founder of E3: Educate, Empower, Elevate LLC, an organization that focuses on equitable outcomes for Black and brown children and families. Meadows, a high school counselor in Guilford County Schools, is an adjunct professor at the University of North Carolina at Charlotte. Avery’s archivist Georgette Mayo will join them. Avery holds Clark’s personal papers.

Savannah Frierson, a Ukweli contributor and Avery’s office manager, will moderate the session. She and Marjory Wentworth, also a Ukweli contributor, will open and close the panel with Mungin’s poems from Ukweli. Wentworth teaches at the College of Charleston.

 

The event also provides an opportunity to premier a video that honors Mungin’s contributions to poetry and social activism. Charlotte filmmaker Steve Rutherford produced the seven-minute video as a tribute to Mungin, who started writing poetry in the mid-sixties during the genesis of the Black Arts Movement.

 

In addition to the Septima P. Clark mural, information panels in the Education Center present the periods of Clark’s life. Essays, interviews and a range of primary sources represent the online material the college has posted to tell Clark’s story as an educator and civil rights champion who Martin Luther King Jr. called the mother of the movement.

Black Studies and the Ethics of Historical Privacy: When Archival Silences Are Acts of Refusal

Join Dr. Mari N. Crabtree with a presentation of her sabbatical research.

Flyer - Dr. Mari N. Crabtree's Sabbatical Presentation: Black Studies and the Ethics of Historical Privacy: When Archival Silences are Acts of Refusal. Thursday, March 23rd, 2023 at 5:00 pm in Room 227, Addlestone Library, 224 Calhoun Street, Charleston, SC. Addlestone Library: Room 227
205 Calhoun Street, Charleston, SC
Thursday, March 23, 2023
5:00 PM – 6:30 PM(ET)

Black Studies scholars often have sought to recover Black voices that have been excluded, marginalized, or erased from mainstream scholarship as a form of reclamation, and as a corrective to research that excludes Black people, and therefore distorts, our understanding of the world in which we live. But what if some of these Black voices don’t want to be found? What claims to privacy do the dead have? This talk offers answers to these questions and will be part of a collection of essays Professor Crabtree is writing on ethical praxis and the craft of writing in Black Studies.

Should Harvard Still Own My Enslaved Ancestors?

Thaddeus Street Jr. Education Center
Septima P. Clark Auditorium (Rm 118)
25 St. Philip Street, Charleston, SC
Tuesday, March 21, 2023
5:30PM – 7:00 PM(ET)

The Center for the Study of Slavery in Charleston has invited Tamara Lanier to deliver a lecture about her enslaved ancestors, whose naked or partially clothed bodies were forcibly photographed in 1850 outside of Columbia, SC, for a Harvard scientist, Louis Agassiz. Agassiz supported racist theories of polygenesis, and Harvard currently owns these photographs. You may be familiar with the court case Lanier has brought against Harvard to obtain the rights to these images. Her case foregrounds the need for legislation that protects the cultural property of descendants of chattel slavery in the United States. I hope you can attend and hear her speak about the importance of her family’s history and the ethical and legal matters regarding who gets to own, display, and view historical artifacts of slavery.

 

Reading Pleasures: An Evening with Tara A. Bynum

The Conseula Francis Emerging Scholar Lecture presents Tara A. Bynum and Reading Pleasures: Everyday Black Living in Early America

Tuesday, February 7th at 7 pm
Avery Research Center * Senator McKinley Washington Auditorium

 

In the early United States, a Black person committed an act of resistance simply by reading and writing. Yet we overlook that these activities also brought pleasure. In her book, Reading Pleasures: Everyday Black Living in Early America, Tara A. Bynum tells the compelling stories of four early American writers who expressed feeling good despite living while enslaved or only nominally free. The poet Phillis Wheatley delights in writing letters to a friend. Ministers John Marrant and James Albert Ukawsaw Gronniosaw memorialize their love for God. David Walker’s pamphlets ask Black Americans to claim their victory over slavery. Together, their writings reflect the joyous, if messy, humanity inside each of them. This proof of a thriving interior self in pursuit of good feeling forces us to reckon with the fact that Black lives do matter.