Maybank Hall – Room 100
College of Charleston
169 Calhoun Street
Charleston, SC 29401
Thursday, April 20th
6:00 PM – 8:00 PM (ET)
Join us for light refreshments, breakout sessions with MUSC advisors, STEM experts and much more!
Maybank Hall – Room 100
College of Charleston
169 Calhoun Street
Charleston, SC 29401
Thursday, April 20th
6:00 PM – 8:00 PM (ET)
Join us for light refreshments, breakout sessions with MUSC advisors, STEM experts and much more!
Join the Latin American and Caribbean Studies Program in welcoming Kim Hass
Rita Hollings Science Center, Rm 101
College of Charleston
58 Coming Street, Charleston, SC 29401
Wednesday, April 19th
5:00 PM – 6:00 PM(ET)
Kim Haas is Executive Producer, Host and Creator of Afro-Latino Travels with Kim Haas, a travel show celebrating the African influence in Latin America. She has traveled extensively throughout Latin America. Kim has been active in Afro-Latino issues for more than a decade and is founder of losafrolatinos.com, a blog celebrating Afro Latino culture. Kim speaks fluent Spanish, Italian and Portuguese. Her undergraduate and graduate degrees are in Spanish. Kim is the owner of Haas Media LLC, a multilingual community outreach, translation services, and communications firm located in the greater New York City area.
Join us the for a presentation by Quattlebaum Artist Herman Ramos.
Chapel Theatre
College of Charleston
172 Calhoun Street, Charleston, SC 29401
Friday, April 14th
12:00 PM – 12:50 PM(ET)
Septima Clark Auditorium (Room 118)
Thaddeus Street Jr. Education Center
25 St. Philip St, Charleston, SC 29401
Tuesday, March 28, 7:30 pm – 9:00 pm
The recently unveiled mural of Septima P. Clark in the Education Center at the College of Charleston will serve as a backdrop for a March 28 conversation on the civil rights icon’s life and legacy. A 7:30 p.m. panel discussion at the center will include five contributor
Ukweli, is the Swahili word for truth. The book follows a 2020 poetry-lecture series at McLeod Plantation organ
Brown is co-founder and project director of an oral history initiative to identify the “first children,
Savannah Frierson, a Ukweli contribut
Th
In addition to the Septima P. Clark mural, information panels in the Education Center present the periods of Clark’s life. Essays, interviews and a range of primary sources represent the online material the college has posted to tell Clark’s story as an educator and civil rights champion who Martin Luther King Jr. called the mother of the movement.
Join Dr. Mari N. Crabtree with a presentation of her sabbatical research.
Addlestone Library: Room 227
205 Calhoun Street, Charleston, SC
Thursday, March 23, 2023
5:00 PM – 6:30 PM(ET)
Black Studies scholars often have sought to recover Black voices that have been excluded, marginalized, or erased from mainstream scholarship as a form of reclamation, and as a corrective to research that excludes Black people, and therefore distorts, our understanding of the world in which we live. But what if some of these Black voices don’t want to be found? What claims to privacy do the dead have? This talk offers answers to these questions and will be part of a collection of essays Professor Crabtree is writing on ethical praxis and the craft of writing in Black Studies.
Thaddeus Street Jr. Education Center
Septima P. Clark Auditorium (Rm 118)
25 St. Philip Street, Charleston, SC
Wednesday, March 22, 2023
5:00PM – 6:30 PM (ET)
Join African American Studies affiliate faculty Dr. Nakeisha Daniel and Gary Marshall of the Theatre Department in a conversation with Dr. Patricia Williams Dockery, the former director of the Avery Research Center, regarding her play, Septima. Septima, currently showing at PURE Theatre, depicted the life of Septima Clark. Explore Dockery’s process for depicting Septima Clark on the stage and the importance of her life on African American life in Charleston, South Carolina.
Thaddeus Street Jr. Education Center
Septima P. Clark Auditorium (Rm 118)
25 St. Philip Street, Charleston, SC
Tuesday, March 21, 2023
5:30PM – 7:00 PM(ET)
The Center for the Study of Slavery in Charleston has invited Tamara Lanier to deliver a lecture about her enslaved ancesto
Many achievements of Charleston native, educator and activist Septima Poinsette Clark (1898-1987) took place at locations on and near the College of Charleston campus. Clark was born at 105 Wentworth Street in 1898 (now part of the CofC campus) and was a student and later a teacher at the Avery Normal Institute (now the Avery Research Center for African American History and Culture at the College of Charleston) at 125 Bull St.. In 1978, the College, during a ceremony in the Cistern Yard, awarded Clark an honorary doctorate in humane letters for 40 years of work as an educator, civil rights leader and advocate for the underprivileged.
Read more at CofC Today
Septima P. Clark Auditorium (Rm 118)
Thaddeus Street Jr Education Center
25 St. Philip Street, Charleston, SC 29401
Thursday, February 16th at 5 pm
Thaddeus Street Jr. Education Center * Septima Clark Auditorium
25 St. Philip Street, Room 118
origin story outlines a family history of distant sisters, grieving mothers and daughters, and alcoholic fathers. These poems take us from Kansas to Korea and back again in an attempt to reconnect with estranged family and familial ghosts divided by years of diaspora. An interrogation of cultural and personal myths, origin story wrestles with the questions: Who will remember us? How do we deal with the failures of memory? Whose stories are told?
Black southerners often shielded their loved ones from the most painful memories of local lynchings with strategic silences but also told lynching stories about vengeful ghosts or a wrathful God or the deathbed confessions of a lyncher tormented by his past. They protested lynching and its legacies through art and activism, and they mourned those lost to a mob’s fury. They infused a blues element into their lynching narratives to confront traumatic memories and keep the blues at bay, even if just for a spell. Telling their stories troubles the simplistic binary of resistance or submission that has tended to dominate narratives of Black life and reminds us that amid the utter devastation of lynching were glimmers of hope and an affirmation of life.
My Soul Is a Witness traces the long afterlife of lynching in the South through the traumatic memories it left in its wake. She unearths how African American victims and survivors found ways to live through and beyond the horrors of lynching, offering a theory of African American collective trauma and memory rooted in the ironic spirit of the blues sensibility—a spirit of misdirection and cunning that blends joy and pain.